Mixing & Mastering Engineers who worked with speakeasy sway

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Photo of Scott Fugate

I’m Scott Fugate and I have recorded drum tracks for songwriters, bands, and producers worldwide from my home studio since 2008. I also have been playing live and worked on countless sessions since age 11 (1982). I focus on, but not limited too rock, hard rock, brush jazz, indie, and acoustic styles.

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Photo of Devin Wickens
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Sound is what I love to do. There are times, no matter what you are doing, where you hit that "sweet spot". You know, everyone knows - that you nailed it. I live for those moments. That's my job, making those moments happen.

Photo of German Cruz Freelance

I am a sound engineer currently offering 1 free mix and master per artist/band. I have some very cheap rates for further work.

Photo of DJ Nest
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Hello, I'm a DJ and producer from Barcelona (Spain) with more than 12 years of experience. My productions are EDM style, Commercial Dance & Tropical House.

Photo of ZAIDA
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Songwriter/Lyricist in Los Angeles

Photo of Joe Smiley

I've been working in recording studios since 1999 before starting my own, Red Planet Recording, in 2004. I've recorded and mixed many genres including blues, hip hop, noise, and country, but excel at heavier types of rock, punk, metal, hardcore, shoegaze, and alternative rock

Photo of Beat-me-up Production

Iam a SAE Alumni, with 10 years of experience in Music Production. Iam looking forward. to bring the best possible and unique, Mix to your Track or Sound-Design. Ive been producing Music in many Genres such as Pop, Hip Hop, EDM and many more.

Photo of Matt Rosella

Im a music producer from Montreal, i've been doing this for about 4 years now. I do mostly electronic, EDM and house tracks, I also do remixing. You can check out my Soundcloud page to get of an idea of what i'm all about!

Photo of Satomi
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Hi! こんにちは! I'm Satomi, a 21 years-old professional singer from Tokyo, Japan. I want to sing on your music ! I can record high quality vocals in Japanese. I also can write lyrics for the song, and even the topline.

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