Mixing & Mastering Engineers, Producers & Songwriters who worked with Sinking

Recording & mixing engineer for hire in Western Massachusetts.

Over one billion streams! Benny Steele is a grammy-nominated, multi-platinum mix engineer. He engineered on Justin Bieber’s single, “Boyfriend" and received a grammy-nomination for his production and mixing work on Frankie J’s new album Hope, Faith y Amor on Universal. He has worked with: Jason Derulo, David Guetta, and Pitbull.

Hello I have been a Freelance Engineer/Producer for the last 8 years. I currently work as a freelance tracking engineer at a studio in Manhattan, New York. I have work with countless Artist from all genres and always welcome something new.

I'm Valerie Warntz, experienced session singer. I have unique vocals often compared to Lana Del Rey. If you need special vocals for your project - I am here to help! :)

I write & craft memorable song lyrics with catchy, teeth-sinking hooks for pop, future-R&B, hip-hop, and dance songs. I also pen parodies of popular music, usually within a few seconds of hearing the song. As a mostly "unknown artist," my songs have each gotten more than 10k plays/views on YouTube and Facebook.

I tour with Post Malone. My other credits range from background vocals on Meghan Trainor's album, Title, to being a runner up on NBC's The Sing-Off with Street Corner Symphony. I've worked with many other acclaimed artists such as: Alison Krauss, Ben Folds, Need To Breath, and Chely Wright I am also an artist/writer at Big Yellow Dog in Nashville.

Hey I'm Radio Control. I am great at hearing an individuals specific style and sound to create a vocal experience tailored for their brand. I love collaboration, and want to make sure every project I'm involved with is unique, attention grabbing, and most of all perfect art that reps you and your audience.

I strive to be a chameleon. You wouldn't dress the same way at a fancy job interview as you would at a rock show. Similarly I wouldn't play the same way at a rock show as I would at the cocktail hour of a wedding. My goal is to make the music speak for itself, not to inject myself into the music.

Ever hear a lyric and think, “There’s more going on here every time I listen”? That’s what I write. Dense wordplay, buried references, double entendres, internal rhyme, and concepts engineered to reward obsessive listening. Every line has layers, but the integrity of the song always comes first. I’ll write something worth sinking your teeth into.