Mixing & Mastering Engineers, Producers & Songwriters who worked with Scarred

Mixing - Patrick Damiani

carefully working on your beloved tracks to create a tasteful professional mix :) professional engineer since 1999 with lots of experience in handmade music, heavy & gothic music, acoustic and quiet music.

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RECs | MiX | Mastering  - Valerio Mina
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I am a strong worker with a wealth of experience across music production process. I demonstrate accountability and leadership on a day to day basis, utilizing exceptional project management skills and enabling my team to consistently deliver even when faced with tight deadlines and competing priorities.

Hip-Hop, Mix & Master  - Loud Music
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Hip-Hop: bright vocals, spaced out mix & thumping bass you're looking for.

Strings Composer / Violinist - Andy Motoi Studer
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I am a multi-instrumentalist, songwriter, arranger, and performer. I've written and recorded on tracks such as Haley Kiyoko’s hit “Sleepover," and Yuna's "Kiss the Moon." I've also worked with artists such as Baths, Robin Hannibal (Rhye), Yore, and Kevin Olusola (Pentatonix) in my work as a violinist and string arranger.

I write Hooks and Choruses  - Troy Sawtell

A good hook or chorus will work with any genre of music you put it on.

Music producer/engineer - Dylan E
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I'm a producer based out of Tampa, FL that is looking to take on more clients. I specialize in hardcore and metal genres and generally use a less is more production technique. I also play several instruments myself, and perform in a band.

Productor con sabor Latino - Helder Gomes
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CEO de Sky Pro Records, estudio independiente en Caracas Venezuela. He trabajado con más de 50 artistas por lo que soy capaz de materializar esa idea que tienes en tu cabeza y hacerla real. Ser artista cada día es más difícil y no todos tienen los recursos económicos, por eso te ofrezco calidad a un bajo precio. Te llevo al cielo.

Pro mixing and master engineer - Estudio 434
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Mixing and Mastering from an acoustician

Artist - Ismo

Recording artist, Ismo from Boston, MA.

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