Mixing & Mastering Engineers, Producers & Songwriters who worked with Runaway Jury

Score Mixer and Sound Designer - Max Blomgren
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I have 17 years of top level professional experience as a mixer, sound designer and composer, mainly on electronic and hybrid film scores and games. My credits include 30+ major movies, including Pet Sematary, Spider-Man 3 and The Grudge.

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Music Producer Mix Engineer - Shaahid Hill
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Hi everyone my name is Shaahid Hill and I am a 24 year old music producer/audio engineer from Baltimore, Md. I have been creating music for about 10 years and I have been doing post audio for five years. I started as an audio intern at above ground studios in Baltimore and now I reside in West Hollywood, California.

Sound Design - Pranciškus Brazdžiūnas

Hey! I'm a sound engineer/sound designer from Lithuania. I spend most of my time editing and mixing sound for motion pictures. In the mean time, I love working with music. Used to be a musician myself, now I help others with their records. Recently I recorded and mixed an EP for a rising artist from Lithuania.

Hip-hop/Jazz Mix Engineer - RPGEEZ

90s Hip-hop and Jazz rec/mix engineer with a hybrid Analog/Digital setup with credits from the following: TAMEONE, A-F-R-O, Mach Hommy, Zemog El Gallo Bueno, Az Izz (The Outsidaz), Aaron Diehl, etc.

Music producer  - Sergy Beats
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I'm making beats of different types. I do any Trap Beats, as well as hip hop. You can contact me at sergybeats@vk.com, and whatsapp +79678273940

Home Studio Producer - Feli Encina

2 self produced album producer wants to produce your song

Credits:
Music producer, Mixing enginer - Kannel Diamond

"Never lower your head, always look high, win or lose" Enzo Ferrari

Remote Mixing and Mastering - Max Myers

My services include: Mixing, Mastering, Vocal Comping + Tuning, Multi-Track Editing + Noise Removal, Polishing Demos to be presentation and Social Media ready, as well as Orchestrating and Arranging.

Remote Rock Mixing - Jorge DaLapa
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An independent mixing engineer who grew listening to Rock and figuring how everything, well, mix! Being from the sound for Cinema, I like to have aesthetic/narrative contexts very clear when I mix: nothing worse than hearing a song where you know when each instrument should talk and that instrument is buried into the mix.

Recent Successes

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