Mixing & Mastering Engineers, Producers & Songwriters who worked with Riecee Siren

Remote Mixing & Mastering - Keef Keyz Productions
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With a decade of experience as a mixing and mastering engineer, I specialize in bringing urban genres like hip-hop, trap, R&B, and gospel to life. Acclaimed as the #1 top recording studio and engineer in Philadelphia for three consecutive years on Thumbtack.com, customer satisfaction is my top priority - the artist is always right.

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Creative Producer - Rehtro

Not limited by genre I strive to create music that is always unique and actually dynamic, you tell me what you want, what you like, what you don't, no holding back, easy 10/10 communication, makes the process fast and easy for everyone.

Studio & Session Musicians - Rich Uncle Records
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Vintage, warm analog tones for the modern era

Acoustic / Pop Songwriter - Pop Songwriter - First 5 $100!
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Versatile topliner with over 15 years experience in writing & co-writing for Artists/Sync licensing, placements include Amazon Prime Video, BBC and independent film.

Session and recording bassist  - Naphtali Chivandikwa
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I'm a professional session, recording and Stage Bassist. I am also versatile I love to explore many musical genres.

Mix & Master and Composer - Lucas de Sá
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Professional Mixing & Mastering Engineer, Soundtrack Composer and Bass Player.

Top 40 Producer and Mixer - Jerome Baylor
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I LISTEN and do my best to Accomplish YOUR vision! Fantasia, Disney, Cindy Lauper, Yoo YoungJae, and Many others! I have a wide range of styles. My sweet spot is Pop and R&B. I’m ready to work on your next project!

Producing/Mixing and Mastering - PumpKin
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Beats and Professional Mixing/Mastering

Pop & EDM Music Producer - Alessandro
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Supported by Zedd, Felix Cartal & Aden Foyer, inspired by Charlie Puth, The Weeknd, Dua Lipa and funk & RnB influenced. I'm a music producer and currently an Audio Engineer student, aiming to involve the listener into an inmersive and pleasant audio experience through nostalgic synths and outstanding harmonic arrangements.

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