Mixing & Mastering Engineers, Producers & Songwriters who worked with Oli Som

Session Vocalist and Topliner - Oliver Anderson
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Experienced vocalist and topliner to provide high-quality, unique vocals or write catchy toplines for your music. I have released original tracks on all platforms and have over 10,000 followers on Instagram as an independent musician. I have also provided vocals for DJs across the globe, from Belgium to Bolivia, and have won awards for my music.

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World-Class Recording Studios - CANOA STUDIOS

World-Class Recording, Mixing, Mastering and Music Production Facility

Hip-hop/rap producer - 2econd Chance

I can producer virtually any beat that you need. I do all moods, styles, tempos, and genres

Producer/ Mixing & Mastering  - Mike Oz
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I've been producing, mixing and mastering for over 25 years. I own only CLASS A recording and mixing gear: from a Museum Edition Telefunken U47 AE, the Retro Instruments, Chandler Mixer/CurveBender/Zener, Api 2500, UBK Fatso/Clariphonic and much, much more! Stunning quality...fair prices!

songwriter, Topliner, pop, edm - Makena Moore

Makena has written for has cuts American Idol top 24 contestant Olivia Soli, Paige Anne, and Carlina. With placements in UFC Promos, and worked notable talents such as Krunkadelic (Lauren Spencer Smith) and been mentored by Shelly Peiken (Christina Aguilera.)

Hip Hop and Pop - Nils
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Looking to take your music to new heights? As a highly skilled mixing engineer with a decade of experience, I am here to help you bring your sound to life. With an unwavering commitment to quality and a passion for delivering exceptional mixes, I have the expertise and creativity needed to make your music stand out from the crowd. Let's work!

Multi-genre Music Producer - Theo Hamilton
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Third year BA (Hons) Electronic Music Production Student. Experienced in Logic Pro X and hands-on, creative production style.

Mix and Mastering Engineer - Shy Bford

Full Sail Audio Production Bachelor’s Degree student. Specializing in Mixing and Mastering at the moment.

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