Mixing & Mastering Engineers, Producers & Songwriters who worked with Neyo When your Mad

Session Guitarist,Producer  - Robert RT Taylor
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Worked with Beyonce on Flaws N All,first time, and second time we did Love On Top, happy to say she won a Grammy. Both Songs PRODUCED by Shea Taylor

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Mixing, Mastering, Producer - Wain
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(3)

Recording Engineer, Producer, Mixer and Mastering Engineer from Medellín, Colombia. Worked on several projects and Artists such as J Balvin, Feid, Juanes, CNCO, Sech, Piso 21, Sebastian Yatra, among others. Love to hear from your project, Have a great time.

Drums Mixing Production - Xinês
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(10)

Professional drummer and producer offering remote drums, mixing and mastering.

Indie Artist  - Maximilian

Hello, I'm decent Ableton/Pro Tools user with vocal/guitar amateurish skills that will accommodate to your songs. If you listen to my sample that's an original production that I did where I did everything except the sax, even the high pitch choir vocals. I love working with different people and I'm willing to listen to your ideas to achieve them.

string bass, Electric bass - Vince Tividad

String Bass, Electric Bass and tuba/sousaphone. Been playing a long time and can read and plays Jazz to rock.

Mixing/Mastering Engineer - Parth

I mix and master your music like it’s my own — fast, detailed, and with the polish of a real studio setup.

Songwriter and hook specialist - Mal Mace
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Specializing in crisp, catchy melodies and lyrics that get to the heart of you and your project.

Songwriter & Topliner for Hire - Joeseph Coolioni

Songwriter and former studio engineer with major-label experience, including work with Atlantic Records artists Nappy Roots and a prior record deal offer from Columbia Records. I have a catalog of radio-ready songs and toplines across Hip-Hop, R&B, Pop, and Country—with dozens of full records and hooks available for artists, producers, labels, etc.

Djembe/Dun, Mixing, Production - Skijah Indigo
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Self-Producing Artist with Live recording of Instruments and Original Material.

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