Moncton Audio Engineers, Producers & Songwriters
I’ve ghostwritten and recorded vocals for chart-topping hits such as the track "Boom Boom Pow" featuring Afrojack, which has racked up millions of streams worldwide! Working alongside some of the biggest names in the industry, I've been the secret voice and pen behind countless anthems. Ready to hear what I can do for your next project?
Your new favourite bass player!!.Played with Noel Gallagher, The Zutons, Ian Broudie and more. Remote bass tracks done for your pleasure, can provide great Amp tones and Di too, Specialising in rock, soul, funk, pop, have major songwriting credits and can work on songwriting alongside bass work too.
Looking for a high-quality, label-ready track? I specialize in crafting industry-standard productions tailored to your artistic vision. Whether you need a ghost-produced hit, a polished remix, or a fully custom track, I deliver cutting-edge sound trusted by top DJs and major labels worldwide.
If you want a hip hop artist who can take your record from idea to impact, you just found your missing piece. I deliver dynamic, polished vocals with standout flow and cadence. I’ve helped many artists create their first single. If you want a track that hits and feels authentically you, book me and let’s build your next anthem.
Hello Everyone. My name is Shawn Carter and I am a freelance music producer, engineer, mixing and mastering musical artists. I also sing and am a songwriter, plus DJ on occasion when I feel like it hah. There's not much I don't do in regards to music and audio for film so I'm always looking to meet awesome artists and make amazing art!
Of the thousands of records I've Produced, Mixed and Mastered, the one EVERYONE has surely heard is the hit single from Quentin Tarantino's PULP FICTION..."Girl, You'll Be A Woman Soon". i am KRAMER, founder of SHIMMY-DISC, producer of DANIEL JOHNSTON, LOW, GALAXIE 500, WILL OLDHAM, LARAAJI, THURSTON, etc. I'll work with whomever truly needs me.
Platinum producer behind G-Eazy’s No Less (Platinum, US Top 10), Chase & Status (UK Top 10). Pop & R&B. I create modern, radio-ready records for emerging and established artists - from full production to mixing and final polish. If you’re looking for major-label quality and a smooth collaborative process, I’d love to help bring your track to life.
Session Singer / Voiceover Artist / Songwriter who has worked with Post Malone, John Legend, Ariana Grande, Chaka Khan, Pat Benatar, Neil Gerardo, Fergie, Ciara, Leslie Odom Jr., and brands such as Google / YouTube, Spotify, AXE, NBC, ABC, FOX, and Sony Animation Studios. I recently competed on Season 21 of NBC's The Voice placing in the Top 32!
I've been producing, mixing and mastering for over 25 years. I own only CLASS A recording and mixing gear: from a Museum Edition Telefunken U47 AE, the Retro Instruments, Chandler Mixer/CurveBender/Zener, Api 2500, UBK Fatso/Clariphonic and much, much more! Stunning quality...fair prices!
I responsibilities comprised a wide array of activities, as I was tasked with managing and coordinating the entire production for professional entertainers and performers. These included but not limited to: Conducting and directing the musical band; Coordinating and facilitating the production of live concerts; Managing of music
I will deliver what you need in your project; it's YOUR vision, not mine. I will Mix your tracks fast but efficiently and we can go over as many mixes as needed until you are happy with the sound of your song(s).
I'm new on the mixing mastering scene with about four albums under my belt. With one being a live album. The albums have got some radio exposure and I've had many compliments about the Americana, roots vibe they deliver Looking to work with bands or individuals who want songwriting, bass, electric guitars, acoustic guitars, and harmonica.
I am the Canadian French Eminem and I self Produce , make my own beats, look me up KOYA
If anyone is interested in working with me, for engineering, or producing a beat for you, please message me on here or email me :) Thanks .
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