Mixing & Mastering Engineers, Producers & Songwriters who worked with metro de medellin

Latin Producer / Songwriter  - Sonzzet
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I have 5 years of experience, I have worked as a producer, arranger and composer in projects such as Yo me llama lacarga by CaracolTV, Medellín metro, Medellín transportation secretary and with artists like Yilda and Pasabordo, my goal is to get the best out of your music, in addition to enriching it with the urban and Latin sound of the market

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Mixing, Composing, Instruments - Nate Combs Media

Nate Combs, founder of Nate Combs Media, is an MFA in producing music. He specializes in composing, arranging, producing, and mixing, and is also very experienced in session recordings; performing guitar, bass, drums, organ, keys, and percussion; mid-level mastering; and more. He is well connected with professional singers and instrumentalists.

Remote Mixing & Mastering - 13H Production
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I Am Valentyn Paziuk. Music Producer, Mix & Master Engineer, Beatmaker, Guitar Player

Music Producer - Mike Gigande

I produce music that sounds like DJ Snake, Major Lazer, Banx & Ranx, Metroboomin, DJ Khaled and Wheathan so if you want Music that sounds like all of those Producers then I'm your Guy.

Mix & Mastering Engineer - Zenith Mastering
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Zenith Mastering AKA A Sides - London based music producer with over 30 years experience specialising in mixing and mastering dance music using the finest hybrid analogue technology.

Melody and Lyrical Architecht - AFineSinger

Virtuoso vocalist with a dynamic range that will leave you spellbound. Lyrical luminary with the ability to weave tapestries of lyrics that captivate, inspire, and speak to the depths of the soul.

Drummer - Mixer - Producer - Kyle Fummey
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Experienced mixer with a passion for transforming raw recordings into polished gems. I delight in mixing a diverse range of genres, from powerful rock anthems to intimate acoustic melodies, ensuring each track resonates with clarity and emotion. Based in Scotland. Signed to Second Songs. Managed by Mother Artists.

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