Mixing & Mastering Engineers, Producers & Songwriters who worked with Marta Soto

Award-Winning Analog Mastering - Carlos Hernández Carbonell
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Multiple Grammy winner (including Recording of the Year with Alejandro Sanz – M.E. –) and Grammy nominee (including Best Engineered Album – M.E. –). Billions of streams. Mastering songs daily for major-label or independent clients with the same love and passion.

Music Producer - Daniel Ruiz Gómez
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I´m a Producer/Arranger/Mixing Engineer. 16 years of experience. Based in Cádiz, Andalusia (Spain). Multiple genres from Pop/Rock to Flamenco and EDM. Sound designing and vocal/instrument editing.

Mix engineer - Felipe Guevara
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Nominated 7 times to Latin Grammy. More than 1 billion views (Spotify) and plays (Itunes) of my mixes. My credits mixing included Alejandro Sanz, CNCO, Raphael, David Bisbal, Sebastián Yatra, Luis Fonsi, Abraham Mateo, Rozalén, Thalía, Beret, Pablo Alborán, Ketama, Nach, Morat....

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 - Miromastering

Hi, I'm Tony ,senior mastering engineer at miromastering. I'm a professional and AES registered mastering engineer. I've been in sound engineering for 30 years.

Recording studio - ADM Recording

Top quality recording, mixing, and mastering.

Mixing/Editing/Mastering - Euphoric Sound
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Welcome to PennyFire Studios – where your sound ignites. We’re a remote, Veteran-owned production and mixing team based in Suffolk, VA & Temecula, CA. We help bring your musical vision to life with creativity, precision, and passion—from demos to full mixes

Experienced Mastering Engineer - Amol
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Chief mastering engineer with 20+ years of experience across various genres of music. Owner of world-class mastering studio in London. My mission is to make high quality mastering services accessible to anyone who is passionate about making great music. Let's make some great music together!

Mixing engineer - Robin Richardsen

Mixing engineer based in Oslo, Norway.

Powerful Mix & Master Engineer - Dan Pepper

The power and energy of an emo banger liberates the heart, as music should. The concepts and practices developed over years are not only perfect for the current pop-punk resurgence; they can expand the character of almost any genre. In fact, just about any stadium touring live band has an audio team that employs these methods.

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