Mixing & Mastering Engineers, Producers & Songwriters who worked with Loah

Mastering Engineer - Fergal Davis Mastering
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Hi, I’m Fergal, a Mastering Engineer with over 20 years of experience. I've had the privilege of working with remarkable artists like Hozier, Fontaines D.C., Muse, Sinead O'Connor, Ben Folds, and The Divine Comedy. My speciality is mastering, and I ensure every mix is ready to resonate with listeners, no matter how they choose to listen.

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UK Based Recording Studio  - Paul Wilkinson
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Music Producer, Songwriter, Mixing & Mastering Engineer. Genres: Drum & Bass, House Music, Dubstep, Hip Hop & Trap/Drill.

Mix Engineer - Tom Carmichael
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Credits include Chance The Rapper, Poppy Ajudha, Oscar Jerome, Jamie Isaac, Matt Maltese, Porridge Radio, Jerkcurb, Konradsen, WOOM & Fat White Family

Lead & Backing Vox, Topliner - Ruth Blake
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Emotionally potent mezzo alto vocalist with wide range, soft yet strong. Deep and rich with ethereal clear high tones. Intuitive topliner and harmoniser + acoustic guitar finger picking.

Mixing / Mastering Engineer - Carlo Rossi
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Degree in audio engineering and 8 years professional experience in recording, mixing and mastering. My mixes have reached millions of streams and been aired on BBC Radio 1 / Radio 2, NTS, NPR plus many more! :)

Mixing Engineer - Kevin Speyer

Mixing your music, Editing your films, I can do it!

Session Pianist - Claramoon

Experienced session pianist and accordionist graduated from the UNC Faculty of Arts and the Félix T. Garzón Conservatory, (Argentina). He is an expert in composing, arranging, producing and recording music in a home studio. He currently performs with bands of various genres

Folk Session Keyboardist - Nick Dahlquist
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Piano, keys, and pads for your folk, pop, rock, or ambient project. Whether you want an acoustic piano, a vintage keyboard, a subtle pad texture, or something else, let me provide you with a quality track that's creative and tailored to your vision.

Mix Engineer, Producer - Felix Lepoutre
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I help artists turn good songs into records that feel finished, expensive, and taken seriously As an artist, you’re not just trying to “get a mix.” You’re trying to get heard, noticed, and taken seriously in a world where sound quality is the entry ticket. My role as a mixing engineer is to help you make that jump.

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