Mixing & Mastering Engineers, Producers & Songwriters who worked with Lil Mosey - Enough
Hi, Im Claude Gaston, a professional audio engineer with 10+ years at Paramount Recording Studios in Los Angeles. Ive worked with artists like Nipsey Hustle, Ray J, Da Baby, YG, and Sevyn Streeter, and now Im offering my expertise to elevate your music.
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Hello! I'm a mixing and mastering engineer with more than 7 years of experience.
Music Producer and Entrepeneur.
Specializing in bringing your audio to life! Mixing Engineer (SAWIMBROW): 7+ yrs of experience. Mastering Engineer (GVRDENS): 6+ yrs of experience. both certified Audio Engineers. Great prices for great quality audio!
Recording | Mix Engineer | Podcast Editor
Patoranking
WE BELIEVE that ‘Real Stories Create The Soul’
With over 400,000 streams, I've has been producing over 6 years now and made different kind of pop hits. I've been making a variety of music genres, such as R&B, Pop, Indie and Urban music! If you're looking for great music vibes, feel free to message!
I am very passionate about what I do , been singing from a long time in concerts in my university, now I am writing my own nw songs
Recent Successes
"Stefan is an outstanding artist to work with. He is gracious and willing to understand the project from another artist perspective (which is tough at times). He is a diamond for sure! Stefan is gifted, skilled, and ve..."
RJ (Rodney)"Amazing engineer, started the second job before finishing the first one. That's how good Hill is! Really excited about the future works."
OUTSET Sound"It was an absolute pleasure to work with Daramola. He is super professional, fast and really wants to nail the job. He understands music also from the production side as he is a producer himself. Can only highly recom..."
Marco N."Well played tracks and quick delivery!"
Alessandro C."Great Master and super fast to stick to our deadline. Thanks again!"
Julian G."Talented, Communicative and fast turn around!"
Master M."A+! Best engineer I've ever worked with hands down!"
Remington H.
