Mixing & Mastering Engineers, Producers & Songwriters who worked with La Huella Rebelde

Pro. Ronroco Interpreter - Mariano Roses
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This beautiful instrument gives the music a special sound typical of the Andean countries. From South America to the world this little ten-string cordóphone knew how to conquer the hearts of great musicians like Gustavo Santaolalla.

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Songwriter - Ediz Karabal

I'm a 17 year old songwriter from Turkey, currently living in NJ.

Session Drummer, Youtube music - James Kelly
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Session Drummer / Live Drums / Producer

Producer, Mixing and Mastering - SO CALLED

Hi, We go by SO CALLED. We have been producing for a decade and some change. I mainly work with Ableton, but I also have experience with FL. Most of my project has been Future Bass driven, but I have made House, Midtempo, and Trap tunes as well. I have released on AiA, been featured on Spinnin' Records.

Mixing Engineer, Bassist - Chris Sugiura
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Hello, I'm Chris! My passion is helping translate an artist's internal vision and getting it onto "tape". I've been producing, engineering and mixing records for the last decade and would love to help you amplify your sound. I believe in finding the right fit for making records. If you listen to any of my work and feel some connection, reach out!

Bass Guitarist - Aaron Bishop

Lifelong professional bassist, specializing in rock, indie, pop, country, funk, singer-songwriter.

Session Vocalist  - David Barnes
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Session vocalist that can change styles to suit any recording. Specialise in the Pop/Rock genre mainly concentrating on main line vocals and harmonies. Strong vocal performances from many years of experience.

Seasonal Cellists Slots - Corrina Galvan

Cellos are tuned in fifths, starting with C2 (two octaves below middle C), followed by G2, D3, and then A3. It is tuned in the exact same intervals and strings as the viola, but an octave lower. Similar to the double bass, the cello has an endpin that rests on the floor to support the instrument's weight. The cello is most closely associated with E

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