Mixing & Mastering Engineers, Producers & Songwriters who worked with Jack's Attic

Recording Studio - Beat Street Studio

Started playing the bass guitar at the age of 12 years old and did debut live gig at the age of 14. ,,Left school at 16 years old and has been gigging, touring and recording ever since. ,,4 string, 5 string, fretless - Fender & Music Man instruments,,A good reputation as a seasoned player with a great solid groove.,Has been fortunate to tour/record with artistes such as Paul Carrack, N Dubz, Odyssey, Ian Kirkham (Simply Red) & bassist for 'Stars In Their Eyes' (touring shows) ,,Strong backing vocals, great personality, in fact the full package really.,,Full UK passport, transport, pro gear etc etc,,Lots of MD & band fixing experience.,,Also owns Beat Street Studio in Leeds.,,www.beatstreetstudio.co.uk,,References supplied on request.

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Session drummer,Music Producer - Terence Cameron

Hello my name is Terence and I am a drummer/producer. I have been playing drums for over 20 years. I love creating music and look forward to working with artist with the same passion as I do.

Film/TV Composer - Dallas McKinney

Telling compelling stories with the magic of organized sound.

Remote Producer/Engineer  - Ray

Yo! I'm Ray, a Tucson-based modern producer/engineer. I've been mixing/producing for over 6 years. I primarily produce Hip-Hop, but I love to step outside of the genre. I work well in FLStudio or Maschine. Happy clients are what it's all about. We should create something.

Mix engineer w SSL studio - Alec

Dozens and dozens of platinum credits 20 years experience,and a top knotch SSL4000 studio in Los Angeles

Mastering Engineer - Magnus Gulbrandsen
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Mastering all genres for any format.

Finance adviser  - Jasmine Watson

24 Cash Finance one of the best lending solution in UK.

Music Producer, Sound Engineer - Grandmaster Monk
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Competitive Mixing & Mastering

Mix | Master | Session Guitar - Epistemic Audio
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Epistemic Audio (df. = of or relating to knowledge of audio) describes my approach to mixing: listen carefully, know the track's goal, and make every mix decision to achieve that goal. This allows me to treat each project fresh: no templates or presets, just ears and knobs.

Recent Successes

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