Mixing & Mastering Engineers, Producers & Songwriters who worked with Honey LaRochelle

Drums, Percs, Beats & Producer - Vitor Cabral
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Latin Grammy Award winner, one of the most important, expressive and eclectic Brazilian session drummer/percussionist, over 20 years of experience in recording and producing with artists such as Gal Costa, Ed Motta, Banda Black Rio, Filó Machado, João Bosco, Céu, Criolo, among others.

Mix, Produce, Engineer - Dubland Studios
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With over 10,000 hours of experience, I have moved from being just a technical mixer to a 'vibe' mixer. Bringing fullness, life, punch, power and space to sound is my trade. I use a combination of analog and digital tools to create a 'holographic' stereo image. Dub Mixing. The result of a life of gear collection and passionate skill development.

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Music Producer, Mix and Master - Efe Ce Ele

More than 5 years experience in sound design, I will put in your tracks the sounds that will give a real own identity.

music maker - hamid mirror
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music maker

Animation agency - VidZvio

VidZvio

Mixing & Mastering - Didine Beatz

Connected with life not online

Latin Music Engineer Producer - Jeanne Montalvo - La Sonidista

Grammy-Nominated audio engineer who has worked with Ivy Queen, Ruben Blades, Ella Bric, Rainao, Ife, Xenia Rubinos, Ana Macho, Renee Goust and more.

I write creative songs - Miguel Ángel Domingo Jabonero

I sell songs written without composition

Audio Mixing Engineer - Dralon
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I value a balanced mix with strong attention to detail! I find enjoyment in making each individual track of an arrangement fit together, like a puzzle piece, to show the full picture of an artists vision. I listen for clicks, pops, sound balance and sound clarity. Nothing goes unnoticed and I appreciate all genres, especially jazz, soul and hiphop.

Mastering - Arvid Olov

I'm a Swedish audio engineer based in Luleå, currently building my mastering portfolio after years of making and releasing my own music across hip-hop, pop, electronic and indie rock. I know what it feels like to want your track to hit right — because I've been on the artist side too. That's the perspective I bring to every master.

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