Mixing & Mastering Engineers, Producers & Songwriters who worked with Happy Techno

I make your music stand out at clubs and festivals, on playlists, and beyond using high-end analog gear and advanced digital tools.

I’m Kevin Reinoso, a DJ, producer, and mixing/mastering engineer based in Miami. With 14+ years of experience and releases on labels like Hot Fuss and Happy Techno, I deliver loud, clean, dynamic mixes built for Spotify, Beatport, and club sound systems.

A competent and hardworking Artist who is able to come up with a range of original ideas and fascinations through various artistic mediums.

Session guitarist and mixing engineer, in rock/metal styles.

Fation Çumani composes conceptual Music projects usually (but not limited) integrated in Movies and Documentaries. With a conceptual approach, Fation absorbs the tradition of remembrance art into daily practice. This personal follow-up and revival of a past tradition is important as an act of meditation.

I am a producer with a bachelor's degree in Music Production & Technology from the Hartt School in Connecticut. I have written, produced, and released four albums completely independently, also playing most of the instruments on each one.

Hey! I'm Manny an audio engineer based in Phoenix AZ. I've been working with audio for about 7 years now in various settings: live sound, mixing, mastering, recording, and production. I've found that my specialty lies in refining and bringing out emotion in music. Thus I specialize in mixing and mastering. My main Genres are: Pop, Hip hop and Rock

Unclassifiable in terms of genres, it stirs, shoots and integrates physical resources and virtual processes to crystallize its message

I am a seasoned live sound engineer with over two decades of expertise in the dynamic and exhilarating world of live music. With a passion for sonic perfection and a relentless commitment to delivering unforgettable auditory experiences, I have had the privilege of working with numerous bands and artists across the globe.

What's The Most Common Reason Your Potential Fan Will Skip Your Track and Never Listen To it Again? There are two actually 1. The beat failed to capture the fans attention in the first 7 seconds and 2. The mix was hurting their ears (especially if it's not tamed right at the 3khz-8khz region) Hit me up to help you avoid that!