Mixing & Mastering Engineers, Producers & Songwriters who worked with Hadren

Mixing & Mastering Engineer - Mario de Mora
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(5)

Mixing & Mastering focused on organic music and alternative electronic music, delivering professional warmth, depth, clarity, and competitive loudness.

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 - Dorny Mayes

API Rising Star Engineer at Linear Recording with Neve 8068. I have worked with Mike Crossey (Arctic Monkeys, Two Door Cinema Club) Andy Green (Keane) Peter Mayes (Empire of the Sun, Elton John/PNAU) David Nicholas (INXS) http://www.audioprointernational.com/news/read/rising-stars-dorny-mayes/07026

Music Mixing/ Mastering - Tony Joy

Music Engineer with more than a decade of experience. Owner/ (Advanced level) User of Pro Tools, Logic Pro, UAD Suite, Waves Suite, Dangerous gear etc... Expertise on platforms ranging from Feature Films, Traditional Broadcast, Virtual Reality and much more. www.tonyjoy.com

I make music with beats - Zach Ikenberry

I have made two songs so far and they are on my SoundCloud.

Recording Studio.  - MEMBERS ONLY by Mehvar
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Bare Bones and Raw with the sweet mist of angel dust right from their wings.

Session Bass Player - Producer - Federico Lozano
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More than 20 years recording and producing all kinds of music from hip hop, thru Documentary music. I´ve studied contrabass since childhood, and play and produce with many hip hop, rock and pop music bands. Also studied composition, arrangement and sound designing.

Producer | Composer | Mixer - Kris Manzaro
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Productor | Compositor | Mezclador | Pop-Urbano | Pop-Latino | Pop-Flamenco | A&B | Pop-Balada

Music Composer for Film, TV,  - Jay Logan

I am a Los Angeles based composer for Film, TV and Video Games. I specialize in Orchestral, Electronic and Pop music. I

Remote Session Drummer  - Shaquille Noel
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I’m a professional remote session drummer delivering real, musical drum performances that make songs feel alive, human, and finished. I specialize in modern pop, R&B, gospel, worship, hip-hop, indie, and Caribbean-influenced grooves, with a strong focus on pocket, dynamics, and serving the song , not overplaying.

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