Mixing & Mastering Engineers who worked with Grand Khai

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Over 10 years of experience with a list of clients in the US, Canada & Europe. Mixing, production and writing credits on releases in the Hip-hop, R&B, Pop and EDM genres. Worked with LiveLikeDavis, Chiddy Bang amongst others. Currently working with Toronto’s Lou Val; a young, talented alternative R&B singer and OVO affiliate.

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Professional audio engineer with a passion for bringing projects from conception to reality. I have 4 years of extensive experience in recording and mixing for both post-production and music. I have worked with artist such as SZA, Trey Songz, Dave East, 070 Shake, and many more.

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Photo of Jan H.

I love writing music. I always try to combine different styles to create something new. I enjoy every second being on an instrument and trying to get melodies from head to score.

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Contracted writer for Sony ATV. Topliner for 7 years, previously affiliated with Glassnote Records Publishing and Universal Motown. Artist writing credits include Dua Lipa, Kesha, MO, Alina Baraz, Hayley Kiyoko, Pussy Riot, Sabrina Carpenter and more. Gifted with lyrical talents and melody writing. Vocal production experience. Your new best friend.

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Nico Vetter provides full service around music production of any genre.

Photo of Yohualli Vázquez

I´m a graduate of Fermatta Music College (Mexico city) Specialized on music production and studio enginering (recording and mixing mainly). Have helped a lot of starting bands have their first pro recording and have worked with some main artists too. Feel free to contact me for your production project.

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Real strings - arranged, mixed, and played for your song.

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I started my career as an Assistant Engineer at both Vogville Recorders and The Armoury Studios, eventually moving on to a successful freelance career and becoming the Head Engineer at Greenhouse Studios from 2013-2015. I now have my own room at Rain City Recorders and am the Studio Manager.

Photo of Cam Alexander

I am a musician/songwriter first, THEN a producer. If the production work on a song doesn't compliment the song itself and make it better, then it isn't good production. I put the songwriting and arranging above all else and make my production decisions based off what will compliment the song best, rather than what new cool synth I want to try.

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