Mixing & Mastering Engineers, Producers & Songwriters who worked with Game Soundtracks

Hey, I’m Oliwier – an experienced electronic and cinematic music producer, specializing in immersive soundscapes for games, trailers, and unique productions.

Have a computer full of demos that never saw the light? What are you waiting for? Send them over so we can let them shine. With 10 years of experience composing and producing for hip hop, pop, and folk artists, I am able to tailor my approach to suit your unique vision. Let's build something incredible together! James

I'm Hayden Trobee. I am a hungry and capable producer and songwriter from Colorado. I've spent the last 10 years touring and making records with my band Tigerwine and have experience working closely with labels, managers, and agents at all levels. I love making momentous music that inspires and moves people.

Winning awards engineer, platinum sales albums mastered. Mastering since 1997! We offer personal treat, professional quality. Mastering with best analog gear at waveupmastering.es Hablamos Español! Daniel Altarriba

Vocalist with sweet yet sultry deliveries, and a songwriter who paints the picture with vibrant imagery to match the underlying story.

Bassist/sound engineer from Thailand, currently laying down basslines and mixing songs for up-and-coming indie bands in the local scene. Offering Bass recording, editing, mixing, and mastering at low prices.

Take your production of R&B and hip-hop to the next level, fusing organic elements with new techniques. Add warmth with live instruments; find inspiring samples for added texture and take it to the max with rich vocal layering for emotional depth. Bring genre-bending fusions into your beats and work with up-and-coming artists to push new ideas.

Vibey, texture-first mix engineer, session guitarist, and producer with a love for tape grit, cinematic sounds, and psychedelic madness.

I create ethereal, melancholic downtempo music for vocalists who want their songs to feel like a movie scene. Inspired by Massive Attack and dark indie cinema, my focus is emotion-first production — space for vocals to breathe, evolving textures, and beats that tell a story.