Mixing & Mastering Engineers who worked with Denim TV

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Photo of Matt Boudreau
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(15)

I have recorded & mixed for many great artists like Steve Earl, The FIxx, Robert Cray & Florence & The Machine live at KFOG in San Francisco, jam band greats the Samples as well as up & coming heavy rock bands Tiger Touch & Cordova. I love mixing & put my all into it. Send me your tracks & I'll put that same energy, passion & focus into your music!

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Photo of Bustaphort

One Salam & G-soul Production

Photo of Collin River Cooper
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Jazz and soul meet today's charts

Photo of Marco Marocco

You need a track for Pop, Blues, Rock or Metal song? You're in the right place! I can give you the right bass track with all your request: "Smoothie Track?" "Play with pick" "C'mon more distortion!!" "I need a solo here" "I want more groove" . . . . NO PROBLEM!

Photo of Studio nagrań "11" Łódź

Studio nagrań "11" zajmuje się: nagrywaniem wokalistów, produkcją muzyczną, odszumianiem nagrań, czyszczeniem nagrań, robieniem aranżacji, produkcją podkładów muzycznych, nagrywaniem lektorów. Nasze studio oferuje także komponowanie muzyki, oraz pomoc przy nagrywaniu chórków, czyszczenie wokalu etc.

Photo of Obscure Music Studio
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Photo of Henry McMinn
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I specialize in Experimental and Electronic music i.e. Down tempo, IDM, Techno, Post Rock, Shoe gaze. However I'm not limited to or stuck in any specific genre. I will take on and own any project that has creativity and passion.

Photo of Sam Louis

Genres are mere borders, Sam Louis’ music crosses the line, infusing styles to create a familiar yet exciting new kind of union. Sam Louis has worked and written with London based producer James Sanger (Madonna, U2, Phil Collins) and Toronto writer Alan Shiner (Mariah Carey and Drake). Sam's original song also featured in international movie WHLN.

Photo of Eissa // Leo

Check out our tracks that have been, are or will be be for sale on: @eissaleo Hey Everyone, this is Eissa // Leo, a singer and music producer originally from Cameroon, born and raised in Dubai, UAE.

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