Mixing & Mastering Engineers who worked with barb wire dolls

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Photo of Daws Hill Music
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Ken Stringer of Daws Hill Music is an experienced, dedicated, and passionate musician, producer, and mixing / mastering engineer.

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Our team is small, however 30 years combined experience in recording, mixing, mastering, live mixing and music production results in quality you are able to hear in samples provided. Mainstream quality and underground pricing is our mantra*

Photo of Zapp Royce
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My name is Aaron Ersoy. I am an accredited, amg certified assistant engineer. I own and operate A Creative State Of Mind, working with artists on a project to project bases, focusing on the art of sound. I blend old school tactics and new age technology to create unique sounds.

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Music producer available for your services

Photo of David Marinelli
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21 Year old producer, drummer, and composer from LA. I've played with artists such as Billie Eilish and Caroline Pennell, Landed spotify playlists with songs that I've produced for Wallice, and scored a Subway commercial that aired during the Olympics.

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Been in sessions with artists such as Mick Jagger, Nicky Minaj, Will.I.Am, Tina Arena, Future, Travis Scott, Wandering Hearts etc... I have been lucky enough to learn a lot of techniques regarding mixing, recording and producing with those artists.

Photo of Usui Yasuhiro

Usui started his career in junior high school. Since then, he has been playing guitar in diverse music genres. In the middle of the 1990s, he started a unique improvisation style that implements the fewest possible guitar effectors. He worked with Elliott Sharp, guitarist and composer, for a recording in New York, 2003

Photo of HopkinSound.com

At HopkinSound.com, we help you take your musical vision, sound, and style to the next level. Our production company is experienced in developing artists and has developed professional relationships with notable industry clientele who have worked with high profile artists including Michael Jackson, OneRepublic, Madonna, Adele, and The Weeknd.

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