Mixing & Mastering Engineers, Producers & Songwriters who worked with Animosity Kills

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Mixing / Mastering / Producer - Manu Jimenez
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Music Engineer / Producer that specializes in Mixing and Mastering for bands, producers, and film composers. My studio is in Los Angeles just outside Hollywood and was designed by Michael Blackmer of Blackmer Design.

Produce, mix & master - Jedidiah Allcock
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Previously of Abbey Road Studios, Jed is a producer, songwriter & mix/mastering engineer a based in London with releases on multiple labels such as Southern Fried Records, Mahogany, Once Upon A Time. His work has amassed millions of plays on Spotify being featured in top playlists and has also provided music for Facebook, Netflix, Smart Car etc.

Music Producer, Mixing & Maste - Early Le Doc
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Hi! I am Early Le Doc and I am an experienced music producer for a decade.

Producer and Keyboardist - Alfred Gómez Jr.
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I love music and have been creating songs and helping others with theirs for the past 20 years, whether as a producer, arranger, or session musician. Pop/Folk/Rock is my wheelhouse, while Latin groove is in my DNA.

Editing & Proofreading - Achievers Lodge

Achievers Lodge has the best and highly qualified editors and proofreaders in its team.

Mixing Engineer - Geoffrey Michael

Top end radio mixes for an affordable price.

Producer, Mixer - George Glew
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Multi-Instrumentalist, producer, mixer based in my studio in Bristol, working across many genres of music with over 35 million streams. Experienced in working on independent projects as well as major label ones, I am a keen collaborator and determined on creating the best possible tracks for the artist.

Afrobeats, Konpa, Pop sounds - Yani Martelly
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I specialize in producing, mixing, and mastering songs that sound ready for radio, streaming, and sync. From Afrobeat to Trap and R&B, I deliver high-quality production, mixing, and mastering that elevates your sound. Whether you’re an indie artist or seasoned creator, I’ll take your song from demo to polished, release-ready track.

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