Mixing & Mastering Engineers who worked with ådå

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Photo of ådå
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ådå - Hooked synths and sharp strings, placed around a good helping on 4/4 beats. A mysterious new alias for a prominent house producer. ådå.

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Photo of Jeremy Levy

Hi all, I'm Jeremy, musician, composer, producer based in London, N7. jeremy-levy.tumblr.com Have a look at my portfolio, and listen to my work: mixing engineer, composer, producer, session musician, bandmate. Worked with/for Position Music Fierce Panda Records, Budde Music, EMI, and many many more.

Photo of Oli Deakin

Production, Mix, Writing and Session credits for BMG, Sub Pop, Dirty Hit, Island Records, Atlantic, ADA/Warner. Working out of New York and London

Photo of Jordan Lawlor
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I'm a producer, mixing engineer and multi-instrumentalist based in Los Angeles. Specializing in Electronic Music, I've worked with acts like M83, THEY. and Oberhofer as a producer and musician.

Photo of Gary Earl
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Credits: Batman, Disney, Warner Bros. HBO, ABC, CBS, NBC, The Bachelor, Ellen, Pokemon, Energizer Bunny & more. Grammy noms for producing, playing, mixing, Kennedy Center Songwriting Award, Consultant to Apple Logic Pro, 800+ syncs on major networks and major film companies.

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Photo of Justin Linn
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Been an active performing, recording and touring musician for 20 years. Veteran of the club scene and Warped Tour. Proficient in guitar, bass and vocal tracking from my home studio. Most recently touring guitarist and co-vocalist for ska/punk legends Save Ferris. Extensive touring all over US, Canada and UK.

Photo of Daws Hill Music
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Ken Stringer of Daws Hill Music is an experienced, dedicated, and passionate musician, producer, and mixing / mastering engineer.

Photo of FAB Studio
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Are you looking for quality mixing and mastering services that won't break the bank? Then, you should trust us with your music. At FAB Studio, we make sure your music shines paying attention to the smallest details. If you want industry-standard sounding songs, then don't hesitate to hire us.

Photo of Remy Styrk
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My foremost intent is to drive the on-screen story, but not overpower it. I like to look at it as if the notes and rhythms I write are supporting characters, making their purpose in the film as fitting as possible. I graduated from the 2014 Grammy Music Revolution Project and occasionally work remotely with HBO/Showtime.

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