Sara Carter

Mixing and Mastering

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1 Review (1 Verified)
Sara Carter on SoundBetter

I mix & master music for punk, rock and indie bands looking to take their music career to the next level by getting signed to a record label or work with an established producer. My background in BBC radio means that my mixes are radio-ready and have been used on commercial releases so, I can help bands produce a mix that will get them noticed.

BBC and SAE London trained. I am a professional sound engineer with over 10 years experience working both in professional studios (Abbey Road, BBC Maida Vale) as well as smaller home studios and therefore, can help you achieve the sound for your music that currently only exists in your head. I will shape the sound of your recording using EQ, dynamics and effects until you're happy.

I offer a free consultation prior to any booking. I can tell you where I feel your song needs sonic enhancement or even a re-recording of certain tracks. For mastering bookings, my free consultation will offer advice on your mix, if I feel the song could benefit from some mix changes before I begin mastering.

As a mixing engineer, my talents lie with balancing your recorded, arranged and edited tracks into a professional sounding, radio-ready mix. Therefore, the production work should have already been done on any project you'd like me to work on.

Finally, you'll find me very friendly and easy to talk to with a genuine desire to make your music sound the best it can possibly sound.

Find me on Discogs here https://www.discogs.com/artist/469871-Sara-Carter

Contact me through the blue button above and lets get to work.

Reviews (1)

Endorse Sara Carter
  1. Review by Olly W.
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    Sara was absolutely wonderful to work with and made sure we were completely happy with the master. Her work was incredibly professional for an affordable price. I definitely recommend her if you're looking to bring your recording to the next level!

Interview with Sara Carter

  1. Q: What do you like most about your job?

  2. A: I doesn't "feel" like a job

  3. Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

  4. A: My MacBook Pro, Focal Spirit Pro headphones, my iPhone (to tether the macbook to for the internet), some sort of solar powered electricity generator, and a second one in case it breaks down! (Ever prepared)

  5. Q: Which artist would you like to work with and why?

  6. A: An artist with great songs that give me goosebumps. I particularly enjoy working with female bands and artists because I feel they are under-represented in the music business and I'm big on promoting the bands I work with, wherever and whenever I can.

  7. Q: What type of music do you usually work on?

  8. A: Usually, it's rock, punk, indie or alternative because that's the music I listen to however, I also really enjoy working with funk 'cos it's groovy.

  9. Q: What do you bring to a song?

  10. A: I love how music sounds because I believe this brings the goosebump factor. My goal is to make the song sound awesome on your hifi, iPhone, laptop whatever.

  11. Q: What's your 'promise' to your clients?

  12. A: It's not finished until you're satisfied.

  13. Q: What questions do you ask prospective clients?

  14. A: Who's your favourite artists? What's your all time favourite song? How long have you been performing? What are your expectations from me during this arrangement? What are your career goals? How are you going to use this song? Can I come to a rehearsal?

  15. Q: What was your career path? How long have you been doing this?

  16. A: I started in the late 90's following a desire to record myself practising guitar, playing along to backing tracks then the recording bug took over. My home studio grew and grew, I had an 8 bus mixing console, outboard effects and recorded to a Fostex 16 track hard disc recorder. In 2001 I jumped into changing career and went to SAE in London for a couple of years then landed the dream job at the BBC in 2003. After 6 years there, I decided to take a break to pursue a different passion (beer!) and have returned in the last couple of years to set up another home studio based around Apple computers, the much talked about pro-tools competitor- Studio One from Presonus and plug ins by Waves, Soundtoys, Fabfilter and many more.

  17. Q: How would you describe your style?

  18. A: Easy to work with, super attention to detail with a relaxed approach. I'm easy to talk to and see the funny side in most things yet I'm very serious when it comes to music and seeking my clients satisfaction.

  19. Q: Can you share one music production tip?

  20. A: Take the time to get great sounds recorded, don't rush it. You don't need expensive gear, just take to time to place the mics so they pick up the best qualities of the instrument as it sounds in the room.

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I was the Mixing and Mastering Engineer in this production

Terms Of Service

I am currently able to offer a mixing and/or mastering service to SB clients with no limit to revisions, average turn-around per song 5-7 days depending on the project, track count and work load.

GenresSounds Like
  • Foo Fighters
  • Green Day
  • Paramore
Gear Highlights
  • Presonus Studio One 3 Pro
  • Pro Tools 12.5
  • Focal and B&W 805s Monitoring with BK XXLS400 Subwoofer
  • Waves
  • Soundtoys
  • Sonarworks Room and Headphone Reference plug ins
  • Sennheiser HD650 headphones.
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SoundBetter Deal

Unlimited revisions