Electronic music producer, composer and beat maker. My music is a blend of the future and the past. Modernism and classical design. Orchestral and Electronic. Feast Your Ears.
I am a music producer from Melbourne Australia. I have been producing/composing for coming up on 7 years.
Most of my work fits around the EDM spectrum, but I also write tracks that are more singer/songwriter based and have experience in both areas, having worked alone and with multiple singers and artists collaboratively in the past.
One of my biggest strengths is my sound design. As a producer who uses a large array of orchestral and electronic elements, I have grown a unique sound pallet that makes the most out of both sounds and their characteristics. Orchestral sounds are textured and emotional, while electronic sounds are strong, powerful and limited only by your imagination.
GENRES I WORK WITH -
Dubstep (Brostep, Riddim, Deep Dub, Melodic Dubstep)
Trap/Hip-Hop Beat Making
House (Tech House, Bass House, Melbourne Minimal)
I can make a full instrumental out of a simple chord progression, lyric, or reference track/picture and can write in multiple styles to fit your artistic identity. If you need a vocalist, I can source one for you also.
Tell me about your project and how I can help, through the 'Contact' button above!
Would love to hear from you. Click the contact button above to get in touch.
Tell me about your project and how I can help, through the 'Contact' button above.
3 Reviews - 1 Repeat ClientEndorse Skrybe Music
Skrybe is a very talented musician! It was a huge pleasure working with the him! How he builds dynamic and emotion in a song is fantastic! Highly recommended!
Really fun working together. He is showing me some next level music production! A++++
Brings a high level of polish to the table. Was a pleasure to collaborate with him. Took my ideas and gave them a really creative spin. A++++
Interview with Skrybe Music
Q: Can you share one music production tip?
A: Even though people say that production is super important, nothing is going to beat a well composed track. If the track has a great groove and movement, it will definitely do better than something that is dull and lifeless in comparison. I guess what I'm trying to say, is really think about what you're writing because a good production won't fix a bad song.
Q: What type of music do you usually work on?
A: Usually I work on a hybridisation of Electronic Music (Dubstep, Future Bass, Trap, House) and Cinematic/Orchestral Music. I really love mixing both type of music together and it brings a really interesting combination.
Q: What's your strongest skill?
A: The strongest aspect about my music is definitely my composition. Studying it at uni opened up a lot of creative doors that I otherwise would not have thought of if I hadn't studied the subject.
Q: What questions do you ask prospective clients?
A: I always ask for reference tracks. That way I can tell who the clients influences are and it gives me a good direction to go in. It also gives me a good understanding of the client and what they are like artistically and allows me to ask more question after that to understand more.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Make sure that before booking a provider like me, that the sound of the provider is what you are looking for. I wouldn't gamble on having any producer making what you're looking for. If you know what you want and what others can provide, you can really get the most from the money you've paid.
Q: How would you describe your style?
A: My music is a blend of the future and the past. Modernism and classical design. Orchestral and Electronic. Feast Your Ears.
Q: Which artist would you like to work with and why?
A: I would love to work with Hans Zimmer. I really feel that I could learn a lot working with him. I feel like our artistic styles would meld pretty decently as well.
Q: Describe the most common type of work you do for your clients.
A: The most common type of work I do for clients is Mixing and Mastering. I really enjoy it because it allows me to work on projects with fresh ears. Considering that a client has usually listened to the pieces they are working on time and time again, they become used to the issues that are occurring and having someone like me work on them, allows those issues to be fixed!