Recording & Session Drummer

Q: What's the biggest misconception about what you do?

A: Biggest misconception is that I only play loud and fast. I am much more than a rock drummer. I am an element of the song that keeps listeners engaged.

Q: What questions do you ask prospective clients?

A: How far do you want me to take the creative footprint?

Q: What advice do you have for a customer looking to hire a provider like you?

A: Understanding that if you are looking for a certain "type" of drummer, you will not get that with me. You are going to get a Kyle-sounding recording no matter what the vibe or genre of song is - meaning that the notes coming through your speakers will have my DNA clear and present.

Q: What was your career path? How long have you been doing this?

A: I was a hired touring drummer for many years and transitioned into a remote session drummer as I grew my family.

Q: How would you describe your style?

A: Dynamic, creative and energetic

Q: Which artist would you like to work with and why?

A: Working with someone like Neal Avron, Howard Benson, David Bendeth or Brendan O'Brien would be a great learning experience.

Q: Can you share one music production tip?

A: Don't overthink your chain. If it sounds good to you, that is absolutely all that matters.

Q: What type of music do you usually work on?

A: Normally Rock with a dash of Pop, Country, and Post-Hardcore.

Q: What's your strongest skill?

A: Consistent hitter.

Q: What do you bring to a song?

A: Palpable energy.

Q: What's your typical work process?

A: A standard flow begins with a band or producer bringing me a track that has no drums on it or midi guide drums. If the client wants the drums played identical to the midi (or old drums) I will play it as close-to with a human touch. If the client wants me to do "my thing", I will play for the song with my flavor. The iteration process can be as simple as no revisions or 1-3 passes before nailing the right end-to-end take.

Q: Tell us about your studio setup.

A: I have a simple and humble setup with 8 channels running from an 18i20 through Logic Pro with a range of mid-range microphones in a 500 square foot home studio. The studio is full of windows and concrete floors yielding a lively room sound.

Q: Describe the most common type of work you do for your clients.

A: I specialize in remote session drum tracking for Rock, Pop, Country, Post-Hardcore and more. Bands and producers come to me for my playing style and established sonic palette. Over the years I have refined a sound that resonates deeply with other drummers and producers that I adapt into their recordings.