Mixing & Mastering Engineers, Producers & Songwriters who worked with yungthrvll
Mixing Engineer for Grammy award nominated producer “AyeKPlayDat”.
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My Name is Ben, and I will take Your song from Amatuer Bedroom level to Radio-Ready. Quickly, with competeive pricing.
Sam Beatch's released music as Neu Balance received critical acclaim and a Resident Advisor album review of 4.1 out of 5 Sam Beatch is the go to Mixing and Mastering engineer for Vancouver's growing Outsider house Electronic Dance Music Community. He is the Mix/Mastering engineer for Isla Records and Budget Cuts records.
I try do it as good as I know. Firstly, always listen the music before recording. Music must be listened, it's an emocional energy. From there, we can work. Trust your ears: if it sounds good, that's fine. No rules. If you have to use +17 dB to get the sound you want, go ahead. The important thing is how it sounds, not what you did to achieve it. "
Produced, Mixed, and Mastered for artist across all genres such as Billie Eilish, Lolo Zouai, RY X, and many more. Focusing production right now one my own artist project but more than happy to help out on the Mixing and Mastering side!
Hi, I'm Divar, Costa Rican producer and audio engineer. I like to work with urban and tropical latin music. I am very dedicated and careful to deliver my clients the best possible audio quality for their projects. So let's create your listeners the best possible experience.
30 year mixing for artists like Charity Gayle and others.
Professional Mixing and Mastering from Milan. I'm Macs, ready to make your music shine. With experience and precision, I guarantee high-quality results. Take your music to the next level with me
I create immersive ambient soundscapes and cinematic textures for film, video, and online media. Drawing on over 5 years of ambient production, 8 years as a drummer, and a degree in Commercial Music from BSU. I blend organic foley recordings, glitchy granular details, and emotional depth to craft sonic worlds that elevate mood and narrative.












