Mixing & Mastering Engineers, Producers & Songwriters who worked with WRECKREATE

Rapper, Lyricist, Singer, Poet - Solace Zeta
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This is Solace Zeta, a top-notch lyricist for hip hop and other kinds of music. His style is purist, heavy in technical schemes and complexity, and often contains unusually vivid imagery and messages. You kind of get a futuristic-sci-fi-activist-visionary kind of vibe from him.

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Full Instrumental Production - Mr. Popi

Young musician playing guitar and percussions but mostly electronic music for some years although i'm a beginner when it comes to pop or dance tracks. I'm always looking for nice english singer to put into my tracks since it's hard to find great ones around my area.

Audio Visual Content Designer - gnightgbye
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Music composer and visual creator/designer for all of Goodnight Goodbye's content.

Session Bass Player  - Luca Nicolasi
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I'm a Bass Player, Teacher since 2006. I love Rock and Metal but also Funk e Soul music. I work as session live and studio musician collaborating with many Italian artist.

Artist | Producer | Vocalist  - .Jessy Covets

I am a professional music producer, vocalist, songwriter, mix & mastering engineer, engineer, artist, DJ and musician.

Music Producer | Beatmaker - Fraancis

Making electronic music full of the emotions you are looking forward to transmit, with the professional sound you expect.

Composer and Beat Maker - ANTHAM
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Antham is a producer and musician based in the United States. His music is imbued with infectious melodies and explores sonic textural landscapes through an array of sounds. Inspired by Jimi Hendrix to Kaytranda, and everything in between, his music spans many genres and styles. He has worked with many artists and companies such as ADOBE.

Tecladista de sesión - Sole Ansaldi
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Imaginación, creatividad, originalidad.

Guitarist, bassist, songwriter - Pete Gitlin
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I'm a guitarist, bassist and songwriter specializing in smooth jazz influenced by pop. My CD "Amplify" was reviewed as "the Sgt. Pepper of smooth jazz" by smoothjazz.com.

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