Mixing & Mastering Engineers who worked with Walker Adams

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Photo of Malakai Linden
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My name is Malakai Linden and I am a music producer, engineer, DJ and educator based in New York! I went to NYU for Music Technology and have been working as a music creator, educator, and facilitator for the past 8 years.

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Photo of Cleo Jade
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Jazz/soul singer that is heavily influenced by oldies. All songs that I sing are written by me.

Photo of bill bong
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Hi, I play drums

Photo of Riley Ackley

Riley Ackley is a freelance recording and mixing engineer from the Twin Cities. He has a wide variety of artists that he has worked with and is willing to take on nearly anything you can throw at him.

Photo of Eduardo del Aguila

I am a Mexico City-Based Mixer, 1 time Grammy and 4 Times Latin Grammy Winner (including Best Engineered Album), my credits encompass a wide range on genres and artist, and include Natalia Lafourcade, Zoe, Ximena Sariñana, Los Angeles Azules, La Barranca, Jaguares, Ana Torroja, Los Bunkers, Cecilia Toussaint, Thalia, and mor

Photo of snuggles
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Experimental trap/hip hop producer. Am willing and open to produce any other types of electronic music.

Photo of Mystery Room Mastering
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Audio mastering studio specializing in all styles of music using an analog/digital hybrid setup with only the finest analog and digital tools. Attention to detail is an essential part of the mastering process to ensure no harm is done to the audio. I am also an active member of AES and beta tester for a variety of audio software companies.

Photo of To-ki (Tokikazu Uema)
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Tokikazu Uema owe's his hip-hop influenced sound to his experiences growing up in Koza, Okinawa, an area near many American military bases which populate Japan's southern most island prefecture.

Photo of 3D Pro Music
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I am a pro musician with years of experience in playing music as well as recording live and in the studio. My company has produced many music projects over the last decade or so. 3D Pro Music has a great engineer on board to make your sound the best it can be.

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