Mixing & Mastering Engineers, Producers & Songwriters who worked with Toro Loco Sangriento (Película)

Producer / Mixer / Vocalist - Vyero
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We work together as a team to make your song sound as great as possible. That's it! What I've learned over the years is: The song tells the story, the song tells you what to do next, the song guides your way in every step of the production. I am here to serve YOUR SONG.

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Mixing, Mastering, Recording - Gray Spark Audio
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Gray Spark Audio is a state of the art recording facility which houses 4 studios with a huge live room capable of recording up to 30 musicians. We have worked with various local as well as international artists. Gray Spark Audio and our engineers have won the prestigious IRAA award for independent recording two years in a row.

Your sonic liaison - GULLYSOUND
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I offer good quality, a good objective AND subjective ear, for a reasonable price!

Rap and Hip-Hop Songwriter - Ian Hartley
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My unique specialization includes ghostwriting for up and coming rap artists, as well as being able to create songs that match their style and influence.

Music Producer,Mastering - Sascha Beek Official

Mixdown & Mastering Remixing / Bootleg / Edits

Bass Player, Mix & Mastering - Charly Romo

I'm no one trying to be someone. (Started as a musician &getting deep into music production.) You won't know what the groove is until you hear me play a bass line (Gotcha!) I do Mix and Master FOR FREE to practice, all generes accepted Worked as composer, record engineer, podcast editor, live sound. (Pro Tools & Ableton user)

Session Percussionist (Brasil) - Lucas Brogiolo
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I am a Brazilian musician, specialist in rhythms. I play several percussion instruments. I have suitable location and professional equipment for the recordings. I also do music productions, arrangements, mixes and mastering.

Alternative Rock Guitar  - ckDistorted

I’ve been playing guitar and bass professionally since 1996. I’ve played live from Pittsburgh to Seoul. I’m primarily a solo recording artist across many platforms.

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