Mixing & Mastering Engineers who worked with Think Twice

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Photo of Hannes Ivask
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Amazing results for such a low price. Clean, wide and warm sounding mixes that will stay true to your vision.

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Photo of DrAssenator

Mass Explode Studio, Sound Mixing / Mastering / Editing Contact Via Gmail For Bookings / Mixing : Assenation@Gmail.com Management @ Israr24x7@Gmail.com

Photo of NATE WALKA

2 clients asked me this week if i had heard of this site so i took it as a sign to see what this is all about.

Photo of AyzedBeats

Specialising in live location recording, 'difficult' mixes & studio mixing, Ive worked with hundreds of artists including Mystery Jets, Gaz Coombes, The Charlatans, Ghost Poet & Ghetts through to contemporary Jazz acts such as Theo Croker & Beth Stevens. Utilising a hybrid studio centred around a pristine Neve console & PMC monitoring.

Photo of don

The sound that works - I have!

Photo of Thomas Haahr
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Producer // studio mixer // musician // a care to detail // good ears // years of experience with live music // passionate about mix & sound // and a special love for vintage synths and effects

Photo of Virginie Marine

Are you looking for an exceptional female voice, powerful and emotional for your project in English, French or Spanish? Stop looking, check out my new EP and reach out.

Photo of JACELYN
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Norah Jones, Robert Plant and Emily Haynes are some of the voices that last touched a microphone that my voice followed. I have won awards and worked with amazing people. But at the end of the day, if my voice is the right fit for your song or voice over project, you'll know once you hear it. I'm all about lip service for your project to shine.

Photo of Songbird21
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Prices Starting at $75 for soulful and sweet lead or background vocals. Songbird21 is a professionally trained singer and songwriter with over 20 years’ experience working in the music industry as a vocalist. She is also a self-taught music engineer and prides herself on being able to deliver top quality work from her studio in a timely manner.

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