Mixing & Mastering Engineers, Producers & Songwriters who worked with Thea Marlene

Mixing Engineer - Mixed by Billy
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Make your recording sound like a RECORD!

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Dubstep / EDM Producer - BeastKiller

I can make some interesting beats for rappers as well as my own style of dubstep.

Session Vocalist, lead & bgvs - Angela Hurt
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- Vocals on six #1 singles, for Rodney Atkins on Curb Records - Vocals on eight Top Five singles & over 13 million units sold - Vocals on Billboard Song of the Year, “If You're Going Thru Hell” - Vocals on Country AirCheck's Song of the Decade, "Watching You" - Working session vocalist in Nashville since 1995 - BAST Certified Vocal Coach

Music Production - Alexandr Zelenskiy

Award-winning Producer, Multi-Instrumentalist, and Mixing Engineer. Artists and projects I've worked on include Barbie x Sol Kyst, Michelle Owen, girly., Jenna, Atlas In Motion, VIDA VINCI, Riha, Sean Bienhaus, Cassidy Taylor, ToneFusion, Jon Green, Ethan Luce, Carmin.

I Mix Music - Florian Sommer

Top of the line hybrid mixing setup. The finest plug-ins both, analog and digital available. 100% easy recall

Mix | Master | Stem-Master - Alessio Bucarini
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Let's make the world Listen to your ART! Certified Music Producer and Audio Engineer. Bachelor of Arts (HONS) in Audio Production at SAE Institute Amsterdam NL.

Songwriting Gems - Wide Genres - Benjamin Richel
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Pushing further the borders of styles since 2012. Autodidact, original & creative.

Composition, orchestration - Antonio Gervasoni
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I'm an award-winning composer, orchestrator, and university professor. I've written more than 50 works, including concert music, incidental music and the soundtracks of 8 Peruvian full feature films. My music has been performed in various countries and is published by Cayambis Music Press.

Mix & Master engineer - Paul Museck
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Controlo el sonido fuerte que la gente joven tanto busca, mi obsesión es crear el espacio mas amplio posible para que quepan todos los elementos de la canción, trabajo con multitud de técnicas de compresión y limitación para poder alcanzar un gran RMS (loudness, volumen) si el cliente lo desease, pero siempre respetando la sensación de dinámica.

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