Mixing & Mastering Engineers, Producers & Songwriters who worked with The PitchPockets

Saxophonist, Flutist, and Arranger. Professional-quality recordings delivered quickly and efficiently.

Musical Swiss Army knife. Writes/arranges for any instrument in any situation. Professional and creative guitar tracks for any genre.

C-Ray is an established and credited Music Producer/Songwriter/Mixing Engineer. With placements all over the world from K-Ci & JoJo's "Happily Ever After" to Korea's popular KPOP group, 4TEN "Tornado", C-Ray is sure he can help you get the sound you need or are missing for your project.

I help ambient, electronic and dance artists refine, mix, master and finish tracks that sound spacious, polished and release-ready. Producer, composer and sound designer with 50M+ Spotify streams, soundtrack work for apps and games, and music featured in documentary / true-crime TV, streaming audiovisual projects and film placements.

Arranging, mix compilation, recording vocals, guitar, composer. I work freelance sound engineer and composer. I have a studio production (recording and video recording). andreymusic@ukr.net I work in Pro Tools 2020.3.1

Artists I’ve worked with over the years: -50 Cent -Reverend Horton Heat -The Family Stone -Bush -AWOLNATION -Fitz & The Tantrums -Endless Broadly-Known & Unknown Regional Artists

I’ve spent the last 15 years touring and recording as a keyboardist with Kimbra, Jon Anderson (Yes), Gene Ween, my band Arc Iris, and countless others. I'm fascinated with finding not only the perfect sound and part for a song, but one that is unique and alive.

I make voices sound like they were born to shine.

I am a singer songwriter both solo and duo with Freight Train Foxes I’ve released 2 albums, 6 eps and amassed over 7 million streams. I’ve written and produced for numerous songs for fellow Brisbane based artists as well as worked with producers such as Garrett Kato and Jared Adlam.

Independent Artist looking to use his skills to elevate the sound of other small artists who cannot afford to pay industry professionals to mix their songs.