Mixing & Mastering Engineers, Producers & Songwriters who worked with Taiy Akard

Mixing & Mastering - INTHARA Studios
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18 years of experience. Mix and master through lots of nice analog gear. Clients include: Pepsi, Toyota, Chevrolet, UNICEF, UNFPA, Lao Airlines, Alexandra Bounxouei, Cells, Taiy Akard, Petch Saharat, Mum Jok Mok, Takataen Chonlada, Thinlamphone, Sophana, Aluna, Tee Oudalay, Black Eyes, Aii La, Metallic, Sam Intharaphithak, Over Dance, Nutdao...

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Producer / Engineer / Rapper - Kage Atkins
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I'm a lyricist and producer. I prefer making beats for hip-hop, electronic, and multimedia (video games and television)

Mixing & Mastering - Nicolas Persig

recording, mixing and mastering engineer, musical producer

Drums and Studio Writer - Matt Culpepper-Future Primate
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We are here to capture you’re future magic. The chemistry of performance is not designed but can certainly be captured Human interaction in creative pursuits is the greatest part of the process.

Producer & Engineer - Adel Boussa
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I am a Hip Hop/Rnb/Afrobeat producer and engineer located in Vancouver. I have my own studio with high quality gear and have been working with local artists professionally for about 2 years since starting my buisness. I can make custom backing tracks by request as well as mix and master your songs remotely.

i produce tracks from A to Z  - Basty

Producer / Recording / Mix Engineer

Creative producer of languages - Kloudz

Versatile lyrical writer, crafting songs in multiple languages, including Korean, English, and Spanish.

compositor  - juanpy

compositor de rock y punk ,soy estudiante de composicion buscando crecer dentro de mi carrera y la industria

Pop/Epic/Cinematic Producer - Aram Mandossian
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Credits include HBO’s Perry Mason, Margot Robbie, Disney’s Jungle Book trailer, Amazon’s Jack Ryan, and NBC’s Indy 500. I’m a cinematic producer/Composer/Arranger blending orchestral depth with modern edge. Classically trained (USC), I create lush strings, pro mockups, emotional, chart-ready tracks, and record guitar parts.

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