Mixing & Mastering Engineers, Producers & Songwriters who worked with Sludge Bunny

Record/Mix/Master/Performance - Nu House Studios
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We are a trans-owned studio whose mission it is to provide trans & queer musicians a safe, affordable, and comfortable space for high-quality recordings, mixes, and masters. We specialize in heavy music but do work for all genres of artists, including Victory Over The Sun, Mel Stone, Dreamwell, A Constant Knowledge of Death, and Eevie Echoes.

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Songwriter - JOHN TANAKA
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Producer / Songwriter who has signed with Armada Music.

Mixing & Mastering - Fredrik Erlingsson
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Take your raw recorded tracks to a clean, punchy, clear and wide mix

Audio Engineer/Music Producer - Kool-Nerd Productions
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Don't settle for anything less than legendary.

Pop producer - delman
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I’m a producer and beatmaker, focused 100% on top-40 pop and soft pop tracks. I spend my time between Milan, London and Boston. My work is inspired by pop production gurus such as Ian Kirkpatrick and Max Martin: clean, powerful and with an extreme attention to those details needed to keep listeners' attention throughout the song.

Rock music producer, lead guit - Luisv1692

Rock music producer and lead guitarist

Session Vocalist - Joel Burman
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Versatile and seasoned singer with 10+ years of working within Musical Theatre, Cabaret, recording studios & Live TV such as singing on China's biggest New Years show played to over 700 million people.

Film Composer/Writer - Avery Leatherwood
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Avery Leatherwood is a specialized film composer crafting immersive soundscapes that fuse orchestral writing with contemporary and experimental sound design to serve story and emotion.

Mixing & Mastering Engineer - Reese Mills

Your music deserves to sound polished, powerful, and competitive—not “almost there.” I specialize in mixing and mastering that translates everywhere: streaming platforms, cars, clubs, and headphones. Whether you’re an independent artist or an established creative, my goal is simple: bring your vision to life without overprocessing.

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