Mixing & Mastering Engineers, Producers & Songwriters who worked with San Dimas Jazz Workshop

Clarinet & Sax Session Pro - Keith Ward
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(14)

LA Pro 30+ Years • Backed Grammy Artists Natalie Cole and Michael W. Smith in Concert • Jazz & Symphonic • Benny Goodman and Pete Fountain Style on Clarinet • Phil Woods and Art Pepper Style on Alto Sax • Quick Turnaround • Top-Quality • Latest Technology • Music Degree

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Lyricist  - Dianabatemusic86

Lyricist looking for collaborations

Singer, Songwriter, Beat Maker - Omo Aston
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Endorsed by only those that understand, but understanding requires the will to do so, and when there is a will, there is a way. The language of music is my way.

Music Producer - Max Blatt
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Hello, my name is Max. I'm a young music producer based in Vienna, Austria. I'm specialized in creating atmospheric and rich in detail arrangements for singer-songwriters.

Recording/Mixing/Mastering  - Chance Hubbard

Chance has Recorded and Mixed many artists such as The Kid Laroi, Don Toliver, Pop Smoke, Lil Tecca, Lil Tjay, Sheck Wes, PnB Rock, King Von, Sheff G, NoCap, Trippie Redd, Scorey, Babyface Ray, Dave East, Toosii, and many more. Chance has helped create and develop the sound of NYC Drill and Hip Hop and the shiny Los Angeles style bright vocals.

Remote Mastering  - Charles Mourot
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Pay the right money for the best work

Music Producer, Song Writer - Caleb Matison
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After working on multiple projects, earning my associate's degree in music, and completely writing, producing, mixing, mastering, and recording an entire album independently, I am excited and prepared to share my experience professionally!

Remote in the box mix engineer - Sean White - Plugin The Box
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In the box mix engineer that can achieve an analogue sound remotely! Part of PCH Studios, Wisconsin. Had great feedback from the top engineers such as David Yungin, Curtis Bye & Devvon Terrell. Engineered for many artists such as Submuzik, Versey, Zee, Shyne. I offer UNLIMITED revisions, meaning we don't stop until you are 100% happy with your art.

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