Mixing & Mastering Engineers, Producers & Songwriters who worked with S3lf

Producer, Session Musician - Jon Bengco
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Producer for eclectic array of artists

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Mastering Studio in Tokyo - SAIDERA MASTERING & RECORDING

SAIDERA MASTERING & RECORDING was established in 1996 by Seigen Ono (Founder, CEO). Our main studio (basement level, with a floor-to-ceiling height of 4.4 meters) was constructed in 2000 in Harajuku, Omote-Sando; the very heart of Tokyo known for its premier fashion stores and restaurants. We provide world-class mastering services.

Sound Design, Mixing&Mastering - Kosmonauts

Grabbing a hold of modern dance music and establishing the sound quality that it demands in todays cutting edge environment.

Music Producer - Sammy Souths
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My name's Sam, I've been producing and mixing music for 7 years. I've done radio for 6 years. I also produced/mixed sound effects for a drama group that won myself an award at the all-Ireland finals.

Mixing and mastering - Frederic Salter
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Three time Felix award nominated engineer specializing in mixing and mastering with 35 years experience. I specialize in Jazz and World, but have worked on all styles.

Music Producer/Mix Engineer - Alex Oldroyd
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UK Top 10 Album and UK Top 40 Singles Chart songwriter, producer and mix engineer. Currently working with Seafret, J.C. Stewart, Jack Curley, Scouting for Girls, James Blunt, Kaiser Chiefs and I've co-produced songs with Roy Stride, Mark Ralph, Mark Crew and Mike Spencer.

Mixer, Producer, A&R - Jp Negrete
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Juan Pablo Negrete alias J.P. is the founder of Melrose Sound Studios in LA. He previously worked as head engineer at Atlantic Records and Warner Music Group. Persistence and dedication led to two Grammy nominations for his vocal production work for Flo Rida. J.P. Negrete has also worked with artists including Skrillex, Nelly, Jason Derulo, Cody S

Composer/Sound Designer - andreas_ps
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Electronic music composer. Sound designer.

Mix & Master engineer - Paul Museck
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Controlo el sonido fuerte que la gente joven tanto busca, mi obsesión es crear el espacio mas amplio posible para que quepan todos los elementos de la canción, trabajo con multitud de técnicas de compresión y limitación para poder alcanzar un gran RMS (loudness, volumen) si el cliente lo desease, pero siempre respetando la sensación de dinámica.

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