Mixing & Mastering Engineers, Producers & Songwriters who worked with Onechot

Audio engineer,mix & mastering - Marco Richie Tavares

Audio engineer, with knowledge in microphone technics, acoustic, recording, audio edition, mixing, mastering, audio post production, P.A, Live Recording. High skills on protools. Sound engineer (Taller de Arte Sonoro, Caracas-Venezuela) / Music Business (ACC, Austin-Texas) RESIDENT AUDIO ENGINEER AT: La Quinta Bar, Caracas-Venezuela.

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FOH/TM/Studio Engineer/Drums - Bradley Cordaro

Creative Audio Engineer, Tour Manager, Front Of House, Editor, Producer, Mixer, Musician from New York.

producer, mixer, masterer. - noisemeister
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Recording, mixing and mastering engineer with a passion for production.

Vocal tuning, Mix & Mastering - ProdbyRale
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With more than 10 years of experience in audio production, beat making and mix & mastering I will make sure that you receive my best and hear my magic on your track.

Singer, songwriter, pianist - Katja Savia
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A modern noir/night artist #darkmusic. My music style is a mash-up of jazz, musical, new age, electronic and country, and of course 100% organic singing with a lot of nuances and emotion.

Studio artist / engineer - Varoujan
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sweet blend of edgy digital processing, old school analog gear and clear vision ||

Live Drums For Your Project - Javier Perez
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Hi there! My name is Javier Perez, I am a professional drummer with more than 25 years working on music business. I have my drum recording studio (Le Groove Studio) placed in Miami, Florida. you will get UNLIMITED revisions, so you can have the drum tracks for the song or project you are looking for!

Composing, mixing - Pinipida

15+ years of experience

Mixing Engineer - Jordi
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I'm a 27 year old mixing engineer looking to gain experience mixing work of others instead of only my own. I specialize in Hip-Hop and Trap. I like to create a mix the client is happy with. Meaning, I would like to know the vision behind the project, which sound the client likes, and then, get as close to that as possible.

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