Mixing & Mastering Engineers, Producers & Songwriters who worked with Observe (Podcast)

Composer / Mix Engineer - Ars Nova Production
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I craft sonic identities that grab attention in under 5 seconds — cinematic compositions, catchy jingles, and streaming-ready mixes delivered within 72 hours. Trained at the University of Musicology in Poitiers and an Ableton production professional, I’ve already composed for Fidesco, Electro Swing Thing, Audio Library, Union Entertainment, etc...

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Mastering Engineer/ Music Prod - Circa Mastering & Production
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Circa Everyone, Im a San Diego Based sound engineer, where i am currently located at California Institute of the Arts studying Music Technology. My main two skills, aside from being a recognized music producer 'Circa' , are music production and mastering.

Recording, Mixing, Mastering - Paranoyd Sound Studios

Paranoyd Sound Studios is owned and operated by Jay T. Edmondson aka J Thorn – 16 years of production experience in multiple genres. – Royal Conservatory of Music classically trained pianist. – Producer of over 250 instrumental backing tracks in various genres. – Engineering and/or production experience on over 2000 songs with over 300 artists.

dank musician - Tim

playing guitar and drums

Mixing Engineer - Benjamin de Jong

Ambitious and driven mixing engineer. Will work the extra hours to make sure your project becomes what you have in mind.

Producer, Songwriter, Pianist - Louis Ryan
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Producer, Writer, Pianist and Vocal Producer. My songs have enjoyed millions of streams across multiple platforms, as well as top 40 chart success. I've worked with artists in a diverse array of genres including Gryffin, Hozier, Karen Harding, Kelli-Leigh, Carla Monroe, Stevie Appleton, Sick Individuals, St. Lundi, and many others.

Gospel/R&B Vocal Prod/Arr./BGV - Sam Roberts
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Writer of Charles Butler & Trinity’s “Make It”

Bringing sound to life - Kristian Leo

Producing at the intersection where sound and the body meet. I specialize in mixing, mastering and production that prioritizes physical translation — how music lands in the body, not just on meters. My approach focuses on: controlled saturation and harmonic density dynamic movement that breathes low-end and midrange balance that creates ground

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