Mixing & Mastering Engineers, Producers & Songwriters who worked with Nina Mckendrick

Writing/Production - EDM & Pop - Dylan Purser

Hey, I'm Dylan and I'm a songwriter, producer and mixing engineer! I mainly specialise in Electronic production, but I also have many years of experience working with bands and vocalists to record & produce their music.

Singer, songwriter, topliner,  - Nina Mckendrick
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Nina Mckendricks release on Liquicity, 'Breathing' with Dylan Purser, has over 40,000 streams on Spotify. Her vocals are light and airy on a liquid Drum and Bass track. She wrote the lyrics, toplined and recorded the multiple vocal lines to achieve a cohesive and bright vocal sound. She frequently writes for Drum and Bass and House producers.

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Mixing engineer - Staffan "skar" Karlsson

I'm a recording and mixing engineer with credits as diverse as Fourplay to Arch Enemy. These days focus is on heavier rock but hey... One day you mix a guitar solo of Michael Amott and the next day you end up panning a keyboard part of Morris Pleasure. That's what it's all about!

Remote mixing - Alexey Slavin
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I am mixing engineer specializing in extreme metal/punk/hardcore music.

Sound Designer, Remote Mixing - Chanl Nine

"Sound is half the experience" George Lucas

Drummer, Ableton/playback tech - James Alexander Allix

Musical and powerful rock drummer, and Ableton operator playback tech available for touring worldwide

Producer, Singer, Songwriter - Joseph LeMay

I’m a multi-instrumentalist producer, singer, & songwriter passionate about creating something sonically unique, beautiful, & commercially accessible.

Singer  - DanielFromSalem

Versatile Singer with 7 years experience and 38k monthly listeners on Spotify. I will record vocals on your Track.

Mixing & Mastering Engineer - Isabelle
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I’m Isabelle, a Mixing & Mastering Engineer who specializes in Trap, Emo Trap, Hard Trap, R&B, Lo-Fi and Hyperpop. My sound is dark, ethereal and emotional — I’ll take your track from rough demo to a polished, powerful record ready for release.

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