Remote Mixing Engineer

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

A: Gold Bloom, Liverpool UK. A band I had the chance of co producing the record and playing a lot of the instruments along with it.

Q: Analog or digital and why?

A: Ideally analog however I do use mostly digital equipment out of flexibility however there is no beating the warmth of an analog tape machine.

Q: What's your 'promise' to your clients?

A: That im not leaving a track until we are 100% satisfied and in the same boat.

Q: What do you like most about your job?

A: Meeting new musicians, I am still a huge fan of music and this job lets me discover new artists not just work with them.

Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

A: My Gibson Les Paul Junior. MacBook Pro, UA interface, My beyerdynamic DT 770 Pro, Quad Cortex

Q: What was your career path? How long have you been doing this?

A: I’ve been immersed in music since I was 10, starting out as a musician and developing a passion for sound. I studied music production in college and earned my degree at Sunderland University. By 18, I was touring professionally, gaining experience in studios and venues across England. Since then, I’ve traveled the world as both a musician and live audio engineer, bringing that real-world experience into every track I mix today.

Q: How would you describe your style?

A: My style is laid-back, collaborative, and focused on making artists happy. I aim for mixes that feel natural, punchy, and polished, bringing out the best in the music while keeping the process fun and stress-free.

Q: Which artist would you like to work with and why?

A: I would love to work with most artists as I try to keep my range of style open, however if I had to pick one artist to work with it would be Spacey Jane, an amazing artist with some much unique style.

Q: Can you share one music production tip?

A: Balance the track and don't gravitate to throwing a bunch of outboard gear and plug ins on to fix things. Often I've found that the less I do the more big sounf=ding a track could be.

Q: What type of music do you usually work on?

A: I usually work on pop punk and rock.

Q: What's your strongest skill?

A: I’m great at communicating and listening, making sure your vision comes through while creating mixes that are balanced, clear, and full of energy.

Q: What do you bring to a song?

A: I bring energy, clarity, and punch from my experience as a touring musician, live FOH, and studio engineer, making every song feel alive and impactful.

Q: What's your typical work process?

A: You send me your stems, and I craft a punchy, clean mix that keeps your track’s energy intact. I share versions, get your feedback, and refine until it’s polished, powerful, and release-ready.

Q: Tell us about your studio setup.

A: I work out of a fully treated, custom home studio designed for fast, high-quality work. I can record most instruments right here, with multiple guitars, electronic samplers, drum kits, and more, giving me the flexibility to capture exactly what each track needs.

Q: What other musicians or music production professionals inspire you?

A: My influences range from Buddy Holly to Green Day, and I draw mixing inspiration from engineers like Butch Vig and Michael Brauer to craft punchy, dynamic, and lively mixes.

Q: Describe the most common type of work you do for your clients.

A: Most of my work is remote mixing, which allows me to collaborate with artists anywhere in the world. You send me your stems, I mix them to bring out the best in your track, and we can refine it together through revisions until you’re completely satisfied.