Mixing & Mastering Engineers, Producers & Songwriters who worked with Krewella - Team

Songwriter, Vocalist, Guitar - Dan Henig

I am a songwriter, singer and guitarist living in los angeles, and have written songs for Steve Aoki, Noah Cyrus, Chelsea Cutler, Backstreet Boys, Krewella, and many more.

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Hammered Dulcimer Player - MonsterLuna
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Award-worthy earthy sound textures for indie, world & cinematic productions. Elevate the emotional impact of your project by layering magical organic textures.

SESSION VOCALIST - ANY GENRE - DEREK
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Originally from New York City... If you have a song and need expert vocals.. I'll get the sound you desire.

Music Producer - Christian Wood
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Hello! My name is Christian Wood. I am a producer, songwriter and session musician located in Nashville, TN. Bringing songs to life is what I love to do. Working along side others and pushing each other to our best work is what makes it all worthwhile! No matter what phase your song is currently in, I would be honored to be apart of the journey.

Producer. Vocalist. Songwriter - Cash Callaway
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Producer, engineer, vocalist and multi-instrumentalist with over 20 years of experience. Credits include Netflix, Disney, Nickelodeon, ESPN, and many more. Theme vocalist for Power Rangers Dino Charge and Beast Morphers

Creative Guitarist & Mixing - Samuel Hartel
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I can give you catchy guitar lead lines to perfect your track or give you inspiration for a new song!

Clarinet, Composer, Producer - The Clarinet Guy
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Charismatic, Award-Winning, Genre-Bending. I'm Eric Salazar (The Clarinet Guy), and I've recorded and released 10 albums in a multitude of genres (some independently, others with Centaur Records and Beneficence Records). When you work with me you get flexibility combined with a high standard of excellence and attention to detail.

Mix & Master engineer - Paul Museck
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Controlo el sonido fuerte que la gente joven tanto busca, mi obsesión es crear el espacio mas amplio posible para que quepan todos los elementos de la canción, trabajo con multitud de técnicas de compresión y limitación para poder alcanzar un gran RMS (loudness, volumen) si el cliente lo desease, pero siempre respetando la sensación de dinámica.

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