Mixing & Mastering Engineers, Producers & Songwriters who worked with Klezmer orchestra

Accordion & keyboard - Giulio Dema

Choose your style and I play it

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Production, Mixing, Mastering - Arsafes Productions
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Mixing/Mastering and Full Production

Remote Mixing & Mastering - Billy Costa
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I have been working professionally in a studio environment since 2015. I've been in projects with bands of different styles. I work with Protools, using high level plugins, with equipment that will help you get wherever you want with your music.

Mastering Engineer - Théo Quayle
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When you release music, you want it to be the exactly how you envisioned it. I've mastered thousands of tracks using the same approach: 1) Realize the artist's vision 2) Highlight what makes the track special 3) Make it loud and competitive for today's market

Recording⎪Mixing⎪Mastering - Bart van Lier
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I'll do whatever it takes to mix your raw tracks into punchy and polished records that you will be proud of! Specialized in punkrock, hardcore and metal. Don't hesitate to get in touch!

Mixing & Mastering - Xtinctor
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I studied in Sonopro Barcelona. I work with amazing artists in the pop-rock & trap. I have been supported by big artists like Pink Panda, Triple M, Uri Farre and many more in the electronic music.

Music Producer  - Mamiboys

Hey there. I’m Krisheno, music producer from the music duo, Mamiboys. If you are a vocalist looking for a music producer for your next track, I’m happy to work together. Currently I’m producing beats for the music duo Mamiboys and had worked together with Kollywood producers such as Harris Jayaraj, Srikanth Deva and international short films.

Recording & Mixing Engineering - Look2xMuzic

With psychoacoustics, we think we are hearing differently, so while one engineer to the next will claim the best mix over the next, I focus on aligning mentally with creators during the creative process. Attention to detail is why I love to engineer, and the details of how I can do that with the product of your mix is the next step, for us.

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