Mixing & Mastering Engineers, Producers & Songwriters who worked with Jarle Obrestad

Mixing, Mastering - Jorgen Manke
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Need your song to sound crisp, punchy and professional ? I got you!

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Music Producer, track creator - Paul Hoyle - Music Productions
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Hello, my name is Paul Hoyle, I have been creating music tracks for over 20 years. Won a Latin Grammy in 2004, nominated again in 2008.

Session guitar player - Nana Arguen
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I really love songs and i perfectly know what they need.

Indie - Dance - Vocalist - Dylan Hundley
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Hi there - I front NY based post punk / electronic dance duo, Lulu Lewis, and have supported critically acclaimed acts such as Richard Lloyd (Television), Shilpa Ray, Gene Loves Jezebel to name a few. My husband and partner is producer, multi-instrumentalist Pablo Martin of Tom Tom Club +. Together we can fulfill all your recording needs.

Credits:
Remote Mixing & Mastering - Aaron J McComiskie
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I've been studying music production (Composition/Mixing/Mastering) For about 4 years now). Currently Studying Studio Recording & engineering at The Institute Of Contemporary Music. Have mixed/recorded Tracks for Kim Wilde/Hal Fowler & the upcoming band Yellow Springs.

Singer Songrwriter - Liska Steele
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Here for all your vocal needs! Available to sing background or lead vocals, can also write if needed! Excited to work on your future project.

Guitarist, Sound Engineer - Chaga Chalishkan
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Recorded 1 album in Ukraine/Kyiv for (ethnic and rock mixed as a guitarist and instrument producer). Global Battle Of The Bands Alternative Rock winner in 2010 Kyiv (R.O.O.M Band). Guitarist of Mariya Yaremchuk (2014 Eurovision).

Pop Mixing/Mastering - Alejandro Sanchez
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Let's add some "flow" to that track! 🔥 Mixing and mastering engineer with more than 10 years of experience that's ready to take your track to the next level.

Mix & Master engineer - Paul Museck
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Controlo el sonido fuerte que la gente joven tanto busca, mi obsesión es crear el espacio mas amplio posible para que quepan todos los elementos de la canción, trabajo con multitud de técnicas de compresión y limitación para poder alcanzar un gran RMS (loudness, volumen) si el cliente lo desease, pero siempre respetando la sensación de dinámica.

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