Mixing & Mastering Engineers, Producers & Songwriters who worked with Gintama

Composer and vocalist behind the Gintama ending theme "SIGNAL" and the BLEACH opening theme "CHU-BURA" — discovered by Yoshiki of X JAPAN, with major-label releases on Universal Music and SME Records. Today I write music for hit mobile games (both #1 on iTunes Japan's soundtrack chart) and work as a Vocaloid producer.

Studio Addict produce professional quality Original instrumental songs for Vocalist's and DJ's to buy full copyrights to use as there own. I can also mix and master, remix or mix in vocals to your song. I provide a friendly, professional service.

I’m a mixing and mastering engineer who understands what it takes to release with confidence. After working with hundreds of artists and thousands of songs, my focus is simple: No ego, No guesswork, just competitive mixes you can stand behind.

I am Emilio Martins, Brazilian percussionist, drummer, composer, educator and producer. My main activities are experiments with many different percussions and create new sounds and grooves with that.

Transit, Four Year Strong, A Will Away, Grayscale, Misser, Bloom., Donaher

Don’t be fooled by people’s “credentials.” Look at results. You may not have heard of me, but I can compete with anyone in the world. Just use your ears (and mine).

Mixing engineer for Mabel Matiz and many other pop artists with more than 50M clicks on various channels.

I am a singer-songwriter, and music producer in Melbourne, Australia.

Composer and vocalist behind the Gintama ending theme "SIGNAL" and the BLEACH opening theme "CHU-BURA" — discovered by Yoshiki of X JAPAN, with major-label releases on Universal Music and SME Records. Today I write music for hit mobile games (both #1 on iTunes Japan's soundtrack chart) and work as a Vocaloid producer.