Mixing & Mastering Engineers who worked with diana miro

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Photo of Diana Miro
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(8)

Diana Miro (Singer/songwriter).

Photo of ERIVA
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(4)

Emil Kociełkiewicz - Eriva Music Producer, Ghost-Producer, Mixing / Mastering Engineer Specialization: Melodic and Vocal House / Deep House / Pop

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Photo of jMusArch.Productions
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(6)

Have full #jMusArch Music Productions/have jMusArch Drum Programming, or Drum Tracks on your music!

Photo of Tomess

I'm a studied engineer with a degree in electrical engineering and a bachelor of science (audio and video). Besides my Job in for radio- and televisioncompany, i'm working as a freelancing mixingengineer. Some examples of my work: https://soundcloud.com/tomess

Photo of Wreckroom Recordings
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Just a recording/mix engineer with a strong emphasis on the artists satisfaction. I try to bring the human element back into the projects I produce, and add depth, clarity, and excitement on the ones that I strictly mix. No glamorous credits here, just a strong work ethic.

Photo of SupremeTracks

Top-notch recording & production at affordable rates

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Photo of Timon
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Over 11 years of experience in producing, remixing, mix & mastering. I compose, arrange, mix and remix any kind of dance music (Deep House, Trap, Tropical House, Future Bass, EDM, Dubstep) and also Pop, Hip-Hop & Reggae. I've worked with a lot of different artists and I'm exited to work with you, because I love the whole process of creating music.

Photo of Nikoz Audio

Hey guys I am Nikoz. I have been producing, mixing, mastering and editing for about 5 years.

Photo of Pongky Alx

Capable to do rearrangement, recomposing or even creating (composing) a new song based on what you need and what you want in almost all genres of music.

Photo of Roger Montejano

Did you know 24% of the songs will be skipped during the first five seconds of playback? And that figure goes up to 35% in the first 30 seconds. Why? Because today, we (you, me, everyone) have a lot of choices, and thus decide quickly if a song delivers the emotions we are looking for.

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