Mixing & Mastering Engineers, Producers & Songwriters who worked with Dev McCray

I am a mix engineer and producer based out of Brooklyn NY. My clients include Dev McCray, Glory Addie, Ria Carval, TBS, and many more. My number one priority when working with an artist is not only bringing their vision to life, but using our combined skills to see beyond their vision and create something brand new.

Classically trained in Tokyo, I've journeyed through jazz, rock, funk, pop and metal over the past 25 years. Keenly sensitive to emotions in music, combined with Perfect Pitch and pitch-colour Synesthesia, I bring color and sensibility to music. I work with musicians to give direction to their compositions and kick start their projects.

Veteran bassist (Tony Bennett, Buddy Rich, Chet Baker, Stephane Grappelli, Mark O'Connor, Broadway) delivering tracks remotely; upright and electric.

I have played upright bass for 12 years and electric bass for 5 years. I plan to bring these experiences to your song/album or gig. I have played mostly jazz, pop, r&b, and rock, but can bring my expertise to any situation. I am based in Boston, but will travel if the circumstances permit.

Involved in a Latin Grammy - winning album, also involved in a Latin Grammy - nominee in the same year for background vocals, 15 + years of experience. Able to sing many styles Spanish and English.

sweet blend of edgy digital processing, old school analog gear and clear vision ||

Creating unique folk sounds that balance absurdity with toe-tapping grooves. I've worked with top Canadian artists like: The Trews, Great Lake Swimmers and Mary Margaret O'hara as well as members of Blue Rodeo and Gord Downie's solo work. I'm a performer by nature, which reflects in my songwriting to create songs that grasp audiences tightly.

International singer, songwriter, recording artist and dance vocalist.

I was recently signed to an ind., latin label after having trained for 5 years, daily. It is very risky for a label to release an artist with no fanbase and extremely rare. They were extremely impressed with the sprawling 26-track double album, the vocal/musical abilities that I had developed, and my ability to interprete and agreed to finance all.