Mixing & Mastering Engineers, Producers & Songwriters who worked with Defying the Decay

Home/Remote Recording Engineer - Liberoveia's Recording Studio
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Aston T. Cowie. I am a full time recording engineer. I have been working with sound, music and computers for 3 or more years. In the past, I've worked with bands and gain much experience from taking actions since I was young. Own a studio Currently: Further studies in Singapore for Audio Production and mobile recording at the same time.

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voice for commercials/songs - Lily

Hello! I have experience work as radio-dictor, and also I'm learning to sing.

Singer  - IVI
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Hi! My name is Ivana but you can call me IVI. I have been playing guitar and singing in choirs since i'm a little bean. You can find my first single "Mañana" on Spotify, Amazon music, Itunes and Youtube, which I composed, sang, created the lyrics and of which I made the video clip with my beloved handycam.

recording studio artist - Frank Stepps
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I'm a songwriter who's influences are mostly pop rock mixed with raw garage aesthetics. I have a good head on my shoulders to become something great in this industry and compose awesome tracks!

Session vocalist from Uganda - Princess Netashiva
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Hello! I'm Prosper Netashiva, vocalist from Uganda. I sing traditional African and Ugandan music, afro-beat, jazz, afro-rock, gospel and pop music.

Producer, Reggaeton x K-Pop - Izoki
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I create high-impact Reggaeton x K-Pop fusion records built for viral moments, stage-ready performances, and global audiences.

Beatmaking - OPLA
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Creating the perfect sounds for you.

K-pop Vocal Guide & Topliner - Niz
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K-pop active vocalist with a refined, high-level vocal skillset and a distinctly trendy tone, creating standout toplines and polished vocal guides.

producer, beatsmaker - lovely oddities

Producer and beatmaker crafting strange, tender soundscapes for songs that feel familiar but slightly off. Lovely Oddities lives in the in-between of lo-fi, indie, and emotional pop where small details matter and silence is part of the music.

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