Mixing & Mastering Engineers, Producers & Songwriters who worked with Daler Mehndi

World Class Mixing Engineer - Aakash Jaitly
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Aakash is a recording, mixing & mastering, FOH engineer, music producer, ableton performer who has worked on more than 100 Indian music & film albums in the past 15 years. He has engineered songs for legendary artists of India like Daler Mehndi, Lata Mangeshkar, Arijit Singh. He engineered NETFLIX film Raat Akeli Hai song 'GHOOM CHARKHYA' in 2020.

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Session Guitarist  - Clifford "Moonie" Pusey
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Keeping current is essential for today's artists and musicians.

Mixing and mastering work - Nekkomix
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Producer, Mixing, Mastering - Sam Sobo
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My main goal as your mixing engineer is to have you walk away happy and confident in the sound of your music. I will always put in the extra work to achieve the best end result. It’s your music and your dream and I’d like to make it sound the best that I can. I started out as a rock producer, but have become proficient in many genres.

K-pop Beat Maker, Songwriter - MinJeong Hwang

I'm a K-Pop topliner

Dreamer Songwriter - Lisou
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Young teenager but the age doesn't make the artist ! I want to share my texts with people as passionate as me, I want to make people feel emotions through my songs !

Vocals for: Rap, Pop, & Rock - Orrin Barfield (Ancwrld)
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I am a 13 year old kid and I'm tryna be one of the greats one day. I started 3 years ago and already have a lot of the basics and some of the more pro techniques down. I can almost any genre, I just gotta have a startup. My best genres are all alternatives. Don't get me wrong, I do more than just alternatives, but I am a natural for alternatives!

ING. Mezcla y beatmaker - Vingt 21

Tengo estudios en ingeniería de mezcla y beatmaking, enfocados en buscar sonidos diferenciales en la industria latina. Como artista busco el equilibrio entre mis ideas y las del cliente para así llegar a un resultado muy bueno. La industria hoy día busca un muy buen sonido y el enfoque en mí mezcla va dirigido a eso. Un sonido disfrutable.

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