Mixing & Mastering Engineers, Producers & Songwriters who worked with Cosmos Midnight
With 20 years of producing, writing, mixing and mastering. I have worked with some of the worlds leading acts and companies including: John Cooper Clarke, Miles Kane, Connie Constance, 6Lack, Izzy Bizu, Monster Florence, Shola Ama, Busted, Collard, Delilah Montagu, Foreign Beggars, Cosmos Midnight, Ash Stymest, TV Series Mr Robot, Sony, Universal,
- 1
More providers:
Yiannis is a platinum songwriter, arranger, engineer and music producer at NumberNine Productions, an indie record label based in Athens Greece. Also he teaches arrangement and Steinbergs Nuendo at Ant1-Media Lab one of Greece's oldest private music production schools.
Drew Ryder Smith is a pro songwriter, vocalist, mixing engineer and producer in Nashville, TN. His songs have been recorded by Randy Houser, Merle Haggard, Jason Charles Miller, Kevin Denney and others. He got his start in recording studios while running coffee in the famous Muscle Shoals Sound Studios, in Muscle Shoals, AL at age 17.
My name is Sam and I'm an audio mixing and mastering based in Nottingham UK. I pride myself with being able to work in a wide variety of genres from Acoustic Singer Songwriter, right the way through to Heavy rock/metal.
Hey I'm Andre Jemal, 25 years old born in England and now living in Melbourne. I am an audio engineer that specializes in Vocal Recording and Mixing. In addition to this I am a Rapper & Song Writer. I can also write or help an artist in the creative process of their writing. Bachelor in Creative Technology (Sound Production and Audio Engineering).
Tsvetan Nikolaev has completed 12 years of music education in classical piano. He has worked in the recording industry for over 15 years. His clients come from all music genres, as he is able to recognise the trends in each style equally well. Tsvetan has developed the skill to listen to any musical idea and extract the absolute maximum from it.
Remote Mixing Engineer - Specialising in Rock, Pop & Metal. Previous credits include: SAVE US, Profiler, Superlove, Pentire, Poltergeist, The Sweet, George Glew and many more.
I am a music producer, mix engineer and songwriter currently based just outside London, U.K.
Remixing grunge, metal, and hard rock into dubstep. I transform rock, punk & indie into heavy bass music - creating hard hitting tunes that respect the original while creating something entirely new. This exposes your original rock music to new audiences pulled straight from the dancefloor. LA-based, 16+ years production.
Recent Successes
"Lukas has been great! I definitely recommend him. He has a very fast turnaround time, is very cooperative, and is very professional -- both with the sound quality of the mixes and the way he does business. "
"Amazing mix engineer and co-producer. Simon was not afraid to share constructive criticism and really helped make the song the best it could be. He has many other musical services such as tracking and even had a sin..."
"My project was relatively large and boasted over an hour of music. I set a reasonable budget and received well over 30 proposals from some of the best mixing engineers Sound Better has to offer. I reviewed a lot of wo..."
"Eric truly is a master at what he does. I will never use anyone else again. If you want to sound your best, look no further and hire him. He is extremely professional, talented, and incredibly easy to work with. H..."
"Eric is awesome guy. He change my song to be great. I really appreciate to him. Thank you Eric. I want to work with you again!!!!"
"Masters sound great, very professional work."
"A great musician!! %100 recommended!! :D"
"Emily was awesome to work with! Delivered great vocals and was open to changes when needed! "
"Excellent - did as asked. Recommended"
"Thanks Robert, this was a easy and good collaboration."
"His price was low and his mixing was good. It is easy to tell that Irving knows what he's doing. Thanks!"
"That’s a real chance to feel the spirit of fantastic rock sound, working with Eric. I told him to mix my song just as he liked and he did it as I’d wished. It was a kind of the next step in my vision of my own music. ..."
